Using Technology to Deepen Democracy, Using Democracy to Ensure Technology Benefits Us All

Sunday, July 31, 2011

"The Future" on the Planet of the Apes

George Dvorsky, one of the White Guys of The Future over at the stealth Robot Cult outfit IEET has written a piece explaining why "we" (a pronoun he calls into question but uses uncritically anyway) have an "obligation" to forcibly re-write the brains and bodies of nonhuman animals in forms more congenial to us. This notion is floated over in the futurological transhumanoid-singularitarian online precincts fairly regularly -- they have a pet term for it, "animal uplift," a phrase with all sorts of perfectly appropriate paternalistic and colonial associations in tow -- and I have written an extensive response to a similar proposal offered up at IEET last year by James Hughes.

The online futurological sects of transhumanism-singularitarianism-technoimmortalism-nanocornucopism function more or less as subcultural sf-fandoms do, with the difference that their devotion is to that form of corporate-military marketing discourse called futurology rather than sf proper, and like futurology itself their enthusiasm for this rather inept sf-subgenre (inept because it amounts to science fiction without the demands of plausible plots, engaging characters, subtle interplays of setting and theme and so on) depends on the deliberate confusion of science fiction either with science proper or science/development public policy.

Very much true to form, then, you will observe that Dvorsky has been moved to speculate on "animal uplift" right now, not because there is any actual breakthrough in biology or medicine or cognitive interface technology or even in the politics of animal rights activists striving to protect chimpanzees, bonobos, gorillas and orangutans from abuse at the hands of their human cousins (campaigns like the Great Ape Project with which Dvorsky absolutely inappropriately, indeed grotesquely, identifies his own fancifully intolerant project). No, George Dvorsky is writing about "uplifting" apes because a re-make of a Planet of the Apes movie is being widely advertized prior to its release, and transhumanists find it more difficult than other people to distinguish the circulation of hype about Hollywood action pictures from serious deliberation of technoscience policy questions. (To emphasize the point, Dvorsky's article is illustrated with a still from the upcoming film.)

It is important to point out that although Dvorsky sprinkles his article with the usual futurological handwaving -- "humans are poised to discard their often fragile and susceptible biological forms," he writes (oh, poised are we? but beyond the poses of Robot Cultists how is the science looking on the immortality pill and soul-uploading business, George? yeah, exactly like it always does) -- the fact is that there is exactly zero chance that any of the sooper-immortalizing sooper-geniusizing sooper-strongifying sooper-humanizing soup futurological sub(cult)ures pine for are in the pipeline. As always, the reason one takes superlative futurological discourses and sub(cult)ures seriously is because they symptomize in particularly clarifying and extreme forms the problems and pathologies in more prevalent mainstream forms of technoscience and developmental policy discourse, advertizing imagery and popular culture.

Dvorsky's article contains sweeping rather wikipediesque general surveys of the animal rights movement in a Peter Singer-centric frame and social contract theory in a John Rawlsian sort of way. The result, as is usual in this sort of discourse, I'm afraid, is rather a lot of loose talk and very little engaged understanding. My own reading of Dvorsky will be a closer one. The first note I would direct your attention to is the recurrence throughout his article of phrases like "Humanity’s relationship with animals" … "our relationship with animals is still changing" …and so on. What I want to point out is the obvious fact that human beings are also animals and hence that our relations with other humans are already relations of animals with animals. This matters, because we are so attentive to differences that make a difference among human animals that we take great care (or should) in generalizing about how we should behave in respect to one another.

The fact is that there are endlessly many differences that make a difference among the varieties of nonhuman animals, not only differences of species but among individual members of species (go ahead, think of all the endlessly many ways the cats in your life have differed from one another, I'll wait here for you). To begin a piece about "humans" as "us" intervening profoundly in the lives of "animals" -- in a way both denying the continuity of that "human us" with the nonhuman animals it targets for transformation but also lumping all animals other than the human ones into an undifferentiated mass of raw material available for transformation -- is a profoundly prejudicial opening conceptual gambit.

This denial of an already existing continuity of human with nonhuman animals prepares the ground for Dvorsky's proposal that a society of sentient beings must be engineering by futurological sooper-science while disavowing the endlessly many ways in which that society already profoundly exists, the ways in which our human lives are already made more meaningful through our connection with nonhuman animals (and I certainly do not mean only the ways in which we brutalize and exploit nonhuman animals, though those stories are also enormously complicated ones as well).

"Enhancement biotechnologies will profoundly impact on the nature of this co-existence" between humans and animals [sic], writes Dvorsky. Try to set aside the perfectly ridiculous but absolutely typical overconfidence of Dvorsky's use of "will" here, as if all the usual robo-magicks futurologists interminably handwave about were bulldozing down the hill toward us in plain sight, what matters here is the conceptual sleight of hand afoot:
Today, efforts are placed on simply protecting animals. Tomorrow, humanity will likely strive to take this further -- to endow nonhuman animals with the requisite faculties that will enable individual and group self-determination, and more broadly, to give them the cognitive and social skills that will allow them to participate in the larger social politic that includes all sentient life.
I would say that many nonhuman animals are already endowed with faculties that enable individual and, in a certain sense, group determination. Certainly, many nonhuman animals already have "cognitive and social skills" and already "participate in the larger social politic that includes all sentient life."

It seems to me that vegetarian and animal rights activists are better regarded not as proposing that we "gift" nonhuman animals, as it were in indiscriminate bulk, with sociality but as insisting to their fellow human animals that we are brutalized ourselves in the greedy insensitive parochialism of our denial of the sociality of so many nonhuman animals with whom we share the world and the ongoing making of the public world already.

From such a perspective it becomes clear that Dvorsky's proposal we shift from paternalistic protection of nonhuman animals to the cognitive imperialism of rewriting their capacities in the image of our desires is indeed a matter of "tak[ing]… further" an existing project, amplifying its terms, exposing its underlying assumptions through their reduction to absurdity.

Dvorsky's flabbergasting chauvinism is palpable when he simply assumes the outcome of deliberation in that fantastical fetal theatricum philosophicum of the Rawlsian Original Position that no sentient in its right mind would prefer to be incarnated as a dolphin or a Great Ape (though I must say that dolphins and Great Apes seem to me often to be having a high time, so long as human animals aren't behaving too badly in their near vicinity):
The prospect of coming into the world as a great ape, elephant or dolphin in the midst of an advanced human civilization can be reasonably construed as a worst outcome. Therefore, humanity can assume that it has the consent of sapient nonhumans to biologically uplift.
Of course, his "therefore" is a foregone conclusion, since it is already preceded by the declaration that entertaining any other possibility than that being a dolphin or an elephant is a "worst outcome" is "unreasonable." Hell, George, if it's really so bad to be an ape or elephant why doesn't your "ethics" require they be genocidally put out of their misery here and now? For my part, so long as I can evade their fishing nets and petting zoos, I daresay it might be quite a bit more fun to frolic in the seas as a promiscuous dolphin than to live as a human in a world run by Republicans, at any rate far from the "worst case" I can imagine entertaining from the Original Position.

Dvorsky's initial insensitivity to the richness of lives different from his own has mobilized his perfectly typical techno-utopian fantasy to impose a radical homogeneity upon the planetary commonwealth of sentients. Near the end of his piece, Dvorsky fancies that a "future world in which humans co-exist with uplifted whales, elephants and apes certainly sounds bizarre." I must say, that I honestly think such a world would be considerably less bizarre, less profuse, less provocative, less promising than the one in which we already live, the one Dvorsky disdains in the usual futurological manner for the amplified parochialism of "The Future" he pines for.

There is, after all, no more typical futurological gesture than for some futurological guru to handwave some mega-engineering day-dream or sooper-capacited body which essentially offers up a fun-house mirror of the present, in which all our present wishes as shaped by our present problems and wants are fulfilled a thousandfold, and then declares this utterly impoverished closure of the open-future for an amplified present satisfaction as some kind of wild and cra-a-a-a-azy imaginative exercise.

Just as futurologists like to cheerlead the profound instability and insecurity of neoliberal networked financialization of the global economy as "an acceleration of acceleration" when it really is nothing but planet-scaled fraud and exploitation, so too they love to peddle corporate-military triumphalist scenarios in which elite incumbents have nothing to fear but the endless upward-rocketing of their profits as if these dreary visions were the most fabulous utopianism. As I have put the point elsewhere: To speak of "The Future" is always to indulge in reaction. All futurisms are finally retro-futurisms.

"Ultimately, the goal of uplift is to foster better lives," writes Dvorsky.
By increasing the rational faculties of animals, and by giving them the tools to better manage themselves and their environment, they stand to gain everything that we have come to value as a species.
What should go without saying here is that there are profound differences of opinion and value as to what actually constitutes "better lives" among the members of the human "species" for whom Dvorsky feels so eminently capable of speaking as "our" spokesman -- by the way, thanks, but no thanks, George!

It is only by assuming that his own parochial values are neutral when they are in fact conspicuously under contest that Dvorsky can make the flabbergasting declaration that re-writing nonhuman intelligence in the image of human intelligence is always only a matter of "increasing the[ir] rational faculties."

One can only respond with morbid mirth to the proposal that making nonhuman animals more like human ones would "give them the tools to better manage… their environment" when it is only human animals and human intelligence and human culture that has managed to bring the biosphere to the brink of destruction, while whales, dolphins, apes, and pigs make their way in the world quite sustainably and contentedly as far as I can tell, at any rate so long as human beings aren't making their lives a misery.

"[I]t would be unethical, negligent and even hypocritical of humans to enhance only themselves and ignore the larger community of sapient nonhuman animals," wrties Dvorsky.
The idea of humanity entering into an advanced state of biological and/or postbiological existence while the rest of nature is left behind to fend for itself is distasteful.
Again, there is of course zero chance that the Robot God is going to arrive any time soon to end history in a Singularity whereupon she/it/they will minister to the faithful post-parentally, allowing them to wallow in shiny immortal robot bodies in nanobotic treasure caves amongst the sexbots or to "upload" into cyberspatial heaven virtualities and so on and so forth.

What is interesting in Dvorsky's delusion is the confidence of his attachment to it of the innocuous adjective "advanced." What would be lost were humanity to gain what the Robot Cultists are hyperventilating about? How much of the context in which meaning, significance, value, intelligibility presently emerges can be transformed before it becomes problematic to speak of meaning, significance, value, intelligibility attaching to some profoundly altered state?

Enhancement is a word that actually indispensably always implies "enhancement" according to whom? "enhancement" in the service of what end at the cost of what other ends?

I actually need not indulge the transhumanoids in a debate about their parochial preferences in matters of brains might be more edifying arranged in the abstract, any more than I need indulge monastics in a debate about the number of angels that can dance on a pin-head, since I can simply point out that there are contentious debates afoot concerning the capacities and values about which they fancy their own judgments are neutrally denotative of "increase" "advance" and "enhancement."

To use these terms as Dvorsky and the transhumanoids do, is simply to reveal one is unwilling to participate in the relevant discussion, not to offer up a position in it (the attitude is a familiar one among the energetically faithful, with whom, after all, Robot Cultists have more than their fair share in common, upsetting though it usually is to them to point out the fact).

What actually substantially matters in Dvorsky's parochialism is how it is of a piece with already prevailing bioethical discourses, which shape the present contours of our catastrophically failed racist War on (some) Drugs, for example, encouraging the early release and public marketing of unsafe drugs that presumably make people more "functional" consumers and workers while prohibiting drugs that provide harmless pleasures or unconventional states of consciousness, discourses that encourage the therapization of neuro-atypical or simply demanding children into obedient conformity with their classmates, discourses that justify surgeries to police intersex morphologies into apparent conformity to the normative sexual-dimorphism in the name of "well-being" of the child, discourses that stigmatize deaf parents who would select for deaf offspring to celebrate a community of the differently-sentient as though they were child abusers, and so on. As happens so often in futurological discourses that pretend to engage in a policy-discourse of foresight in a developmental frame, what tends to matter in the futurological is the way it symptomizes and illuminates present prejudices and pathologies.

Paul Raven has already responded to Dvorsky's piece, a marvelously acerbic bit of which I cannot resist quoting:
To assume that we know what is good for an ape better than an ape itself is an act of spectacular arrogance, and no amount of dressing it up in noble colonial bullshit about civilising the natives will conceal that arrogance. Furthermore, that said dressing-up can be done by people who frequently wring their hands over the ethical implications of the marginal possibility of sentient artificial intelligences getting upset about how they came to be made doesn’t go a long way toward defending the accusations of myopic technofetish, body-loathing and silicon-cultism that transhumanism’s more vocal detractors are fond of using.
It is probably too much to hope that the writer of this eminently sensible and properly aggravated response actually literally had me in mind when he refers to "vocal detractors" making accusations of "myopic technofetish[ism], body-loathing, and silicon-cultism," but one will indeed find all these and many more accusations of that kind made by me, among other places collected here. Be that as it may, I cheerfully endorse Raven's critique here.

In a fit of pique, Dvorsky responded to Raven thusly:
I'm going to issue a challenge to the opponents of animal uplift: Go back and live in the forest. I mean it. Reject all the technological gadgetry in your possession and all the institutions and specialists you've come to depend on. Throw away your phones, your shoes, your glasses and your watches. Denounce your education.
Inasmuch as vanishingly few of the people who make gedgets, phones, shoes, glasses, and watches are now or ever were self-identified members of Dvorsky's little Robot Cult or have explicitly espoused Dvorsky's highly idiosyncratic viewpoint on the non-issue of "animal uplift" I do hope if Dvorsky will forgive my refusal for now of his very generous offer of standing as the Official Representative of artifactual civilization.

As someone who earns his daily bread in the profession of education -- among other things I teach courses on science and technology, not to mention, occasionally, vegetarian and animal rights theory, to university students at Berkeley and art students at the San Francisco Art Institute -- I really must protest that disagreement with Dvorsky's rather odd views hardly demands that I renounce my education, quite the contrary in fact.

To the extent that our attire, our language, our posture, our affect is constituted socioculturally I would gently suggest to Dvorsky that his wished for expulsion of non-believers from the technological Eden of which he fancies himself uniquely representative (without ever doing much in the way of actually making or maintaining it, I really must add) involves the imagination of a primordial original "State of Nature" that really no more exists than "The Future" does, or more precisely, both exert their substantial justificatory force in the present in the political positioning they organize and rationalize.

As Raven suggests, I would propose that Dvorsky's "futurological" framing here on questions of the worldly relations of human and nonhuman animals plays out in the service of mostly reactionary political positions. In this, I would say that Dvorsky's article is fairly typically futurological.

Thursday, July 28, 2011

Why I Am Still Not An Anarchist (Or Am I?)

Another post upgraded and adapted from the Moot. Upon discovering that I am trained in nonviolence and teach courses at Cal on violence and nonviolence, libertopian Kent has declared me possibly "halfway to libertarianism" because of my commitment to the "non-initiation of force" which he presumes he shares with me and which he fancies is somehow expressed in his own devotion to the exploitation, violence, fraud, and environmental destruction of "free market" orders.

This is what I had to say to him about that:

If by "libertarian," Kent, you mean "anarcho-capitalist," you couldn't be more wrong. If you mean by it something more like Ian -- who raised the first objections in this thread -- you probably wouldn't be too far wrong.

I'm a sort of democratic socialist, I guess.

The fact is I have no problem with private ownership or well-regulated market exchange, especially the more this ownership and enterprise occurs [1] in the context of equitable access to institutions for the nonviolent adjudication of disputes, [2] in the context of a scene of consent rendered legible by general welfare affording actually informed actually non-duressed consent, and [3] in the context of the socialization of commons and public goods to ameliorate tendencies to the externalization of cost and risk arising from industrial modes of production. Given all that, frankly, it seems to me I might rightly be called an advocate of a democratic organization of capitalist economy, an advocate of a capitalism made to express the non-violence libertopians incredibly claim to discern in it already in its present plutocratic vestigially feudal form.

Be that as it may, I have no doubt my advocacy of single payer healthcare, public education, and basic income in the service of the scene of consent and socialization of key modes of production prone to externalization amounts to democratic socialism in most construals of it, which is also perfectly fine with me.

I do think radical forms of commitments to democracy and non-violence (and I hold both of these myself) end up meaning something close to what many self-identified anarchists mean by "anarchism." Sometimes the words really do seem to get in the way. Given the plasticity of these terms I can easily think of people who would properly see their own politics in mine but think of themselves as the Democratic wing of the Democratic Party, or as radical democrats, or social democrats, democratic socialists, secular democrats, pluralists, multiculturalists, anti-militarists, non-violent activists for social justice, market socialists, environmental justice advocates, Greens, queers, punks, civil libertarians, or, yes, sure, anarchists, too.

And yet I really do think there are problems with too many anarchisms -- and your own, Kent, most of all. Market fundamentalists, market libertarians, anarcho-capitalists, neoliberals too readily disavow the artifice of the so-called natural market as well as the duress, fraud and exploitation that stratifies market transactions you are apt to declare "non-initiation of force" through the facile expedient of pretending "initiation" begins several steps beyond when much of the nasty action actually is taking place.

More generally, I think much that gets declaimed about under the heading of anarchic state-smashing would much better be articulated in more specific and situated ways that end up sounding more like resistance to violence and inequity and unaccountability in existing institutions and practices, and so look to me more as efforts at tinkering, reform, democratization of governance than, you know, Smashing The State.

To be honest, I suspect that in the monolithic characterization conjured up by that very term -- The State -- it may be there is no The State to exist for us to smash any more than there is The God to exist for us to kill. Given regular elections, general enfranchisement, and wide eligibility for office-holding, the separation of powers, the subsidiarity of the federalization of governance, the shifting, competing, co-operating patchwork of jurisdictions, the interplay of private/public/social/cultural/media apparatuses subsumed under and against that heading in any case, it seems a bit of a mystification to pretend a singular concentrated overbearing substance is in play, one to which a monopoly on violence is attributed, a violence that is presumably unaccountable however answerable it actually may turn out to be, however convoluted and ramifying its pathways, a violence which is taken exhaustively to characterize it even if its edicts are backed only in the last instance by such force, and even then hardly always efficaciously and usually only accountably.

If I might be a bit more theoretical about it, I would say, more or less with Arendt, that politics (the encounter with difference) is prior to sociality (sustained association in difference), and that the plurality out of which the political arises is as much about the ineradicable problems of disputation and structural violence as about the real promises of mutual aid and voluntary co-operation, and that this takes us to concerns with the institutionalizations of order before it takes us to the wholesome democratization of government.

And so, all in all, even if it offends my left-anarchist friends sometimes, I still must insist that I do not want to smash the state, but to democratize it.

Why I Am Still Not An Anarchist (Or Am I?) -- Continued

I am not appending to this post, a copy of a second one from a couple days later consisting of reflections continuing on from the first.

I have sometimes thought that my "political orientation" would be better captured with the neologism consensualist, given the centrality of the provision of a substantial scene of consent to my understanding of a democratic and non-violent politics. In our historical moment, however, philosophical neologisms like that render one all too susceptible to the distortions of marketing and self-promotional discourse (advertizing, with all its devastating deception and hyperbole, has come quite close to colonizing public deliberation entirely by now, to the ruin of all), recasting one as another wannabe guru circus-barker with a movement and a manifesto soliciting tax-deductible contributions in exchange for promises of offering a meaning of life package re-conceived as something like the promise of more regular bowel movements and a whiter smile.

Since it is not a substance but a scene, not a faculty but a ritual, there will always be concerns about the profound gameability of consent. The libertopian anarcho-capitalist's whole schtick essentially derives from his pretense that transactions are perfectly consensual and social orders sublimely peaceable even when they are stratified by unequal knowledge and misinformation and driven by what amount in the context of informal and precarious labor to permanent threats of force.

In the typical neoliberal instance, then, I would declare the scene of consent largely vacuous as often as not. But of course there are vulnerabilities on the flip-side as well. I describe a legible scene of consent as one that is both informed and non-duressed, but since "informed" can never arrive at omniscience and since "non-duressed" can never arrive at omnipotence, there will always be a slippage between actual scenes of consent and the ideals at which they might be said logically to aspire, the legibility of the scene will always be a comparative matter. Part of that legibility would have to derive from the susceptibility of the scene of consent itself to interminable re-elaboration by critique. Part of what might be named by "anarchism" is this interminable constitutive dimension of critique to the scene of legible consent, it seems to me.

To the extent that democracy is less an eidos to approximate in our institutions (culminating, presumably, in The Ideal of "direct" democracy, "perfect" consensus, or what have you) than it is an ideal that might wholesomely articulate endlessly many different institutions in endlessly many variations and measures (the notion that people should have a say in the public decisions that affect them, as I would put it, probably does not have one best institutional materialization, given the many contexts in which it might make public life better), then another part of what is named by "anarchism" might be this interminable experimentation with and proliferation of institutionalizations of the democratic notion.

Inasmuch as I believe the key values of democracy are equity and diversity, and these values both depend on one another but are in tension with one another (I refer to equity-in-diversity as a single value, but the hyphens denote a dynamism not a stability), their institutionalization again looks to demand an endless re-elaboration through critique, and again "anarchism" seems to me a good name for this interminable constitutive dimension of critique.

Part of the trouble with a commitment to non-violence is that there is always some measure of dispute as to what violence consists of in the first place, and to circumscribe this dispute is itself to do violence. So, too, the constitution of a vocabulary in which it becomes possible legibly to testify to a violence will often (perhaps always) render testimony to another violence illegible. Brecht's question and quip, which violence is worse, to rob a bank or to found one? is provocative not only because one can easily assume a perspective from which either violence can seem worse, but because there is something about assuming the perspective from which either violence becomes clear that renders the other nearly invisible. Again, "anarchism" might name the interminable critique that permits a traffic among perspectives rendering testimonies to violation provisionally legible (even at the cost of rendering others provisionally illegible) to resist a stabilization that amounts to a violent circumscription of the discourse enabling attention and testament to and hence the institutional address of violences in the first place.

Part of what I would insist on, however, is that whether order names the provisional universalization of equity-in-diversity, whether it names the comparative accomplishment of the scene of informed nonduressed consent, whether it names the provision of ever more people with ever more of a say in the public decisions that affect, whether it names the commitment to nonviolence, this order is always institutionalized, and the work of critique is to expose the measure of slippage between the actual and the aspirational not to rationalize renunciation of the institution but to enable its interminable re-elaboration.

There is a tendency and possibly a permanent temptation in the anarchic imaginary that indulges an exposure that yields so all embracing a transparency it amounts finally to indifference rather than insight, that indulges a rebellion that yields so all embracing a rejection it amounts finally to resignation rather than to resistance. It goes without saying that any more pragmatic commitment to resistance, re-elaboration, and reform is no less prone to complacency, parochialism, exhaustion -- and the restlessness and rigor that might be named by "anarchism" can provide an indispensable re-invigoration to those of us whose pragmatism is directed to the service of the ethics of consent, democracy, non-violence, equity-in-diversity. Any anarchist who helps democratize the institutional terrain that besets us is a friend to me. To me, that comrade is democratizing the state, not smashing it -- but I am content to keep quiet on that quibble if that is all that stands in the way of our mutual education, agitation, and organization to materialize liberty and justice for all.

Postscript: More Anarchy from the Moot

Another amendment arising from the conversation occasioned by the first two.

A regular reader asks:
How can there be such a thing as a "left anarchist"? Isn't anarchy just extreme libertarianism? I've never been able to figure them out. Just what exactly is it that they want? And why do they always appear at ANY progressive protest & behave like meth-crazed agent provocateurs? Their over-the-top violence ALWAYS ends up undermining & discrediting these protests. It's a mystery why they get so much sympathy from the left. I find them to be a pointless nuisance, and I just wish they would just fuck off for good.
Definitely anarchism has a richer pedigree on the left than the right, though perhaps not a longer one. Actually, the right-wing libertopians are (depending on your perspective on them) either exposing a deep problem always already inhering in any left-anarchic positioning or are simply misreading and distorting the left-anarchic ethos in their rather facile fashion. I'd say there was some truth in both of those perspectives, actually, but I incline to the second. (I'm giving you a little latitude in your declaration about anarchists always being disruptive and extreme -- I know where you are coming from, since this whole discussion arises from exchanges some of which are of the kind you are responding to, still I don't doubt you know that your statement is an overgeneralization, and that the many sympathetic anarchists in your company at demonstrations and discussions who are not disruptive have likely not attracted your notice precisely because they have not behaved the way you disapprove.)

You know, one of the pre-eminent figures of left-anarchy in the world today is the great Noam Chomsky, and he has said:
[I]t only makes sense to seek out and identify structures of authority, hierarchy, and domination in every aspect of life and to challenge them. Unless a justification for them can be given, they are illegitimate and should be dismantled to increase the scope of human freedom. That includes political power, ownership, management, relations among men and women, parents and children, our control over the fate of future generations... I have always understood to be the essence of anarchism[,] the conviction that the burden of proof has to be on authority and that it should be dismantled if that burden cannot be met.
I find it very easy to affirm all of this, but since I think many who would not think of themselves as anarchists at all (and with good reasons) but as liberals, democrats, peace workers, and so on would affirm what Chomsky is saying here as much as I would, I can't say that I see why approval of Chomsky's attitude here, then, makes me someone who wants to "Smash The State" in the least, rather than, say, to liberalize it, or to democratize it, or to deploy it in the service of non-violence (through the institutionalization of successions of leadership via regular election, through the maintenance of alternatives for the non-violent adjudication of disputes like courts, through the re-distribution of plutocratic concentrations of wealth via progressive taxation, through the amelioration of susceptibilities to corruption and abuse via separation of powers, subsidiarity of federalization, accountability to a free press, enumerated rights, elections and juries, through the maintenance of a legible scene of informed nonduressed consent via the provision of general welfare, public education, basic healthcare, basic income guarantees -- at the very least minimum wage guarantees -- paid for by means of taxes and fees, through the circumvention of abusive and fraudulent externalization of costs and risks inhering in mass-industrial production via socialization of commons and public goods, and so on).

It is all very well to say assertions of authority bear a burden of proof -- but what standards define that burden? who agrees to them? what about those who do not? just what is the scene in which this justification is offered up and adjudicated? Surely far too many of the questions that would presumably distinguish the anarchist-left from much of the rest of the left (plenty of it quite as radical as the anarchists are) are circumvented rather than addressed in Chomsky's enormously attractive declaration of anti-authoritarian principle.

Given this, how useful is Chomsky's formulation as a specifically anarchist proposal after all? -- I'm afraid I must say I think it is not very helpful finally at all. And, given this, is it typical in this weakness of other efforts at general anarchist formulations in this vein? -- I'm afraid I must say I think it is indeed rather typical of the problem (and, frankly, Chomsky's formulation is among the clearer ones available). Still, I'm far from denying my sympathy with what Chomsky says -- I daresay I am closely allied to Chomsky in this as in many other political positions -- hence the title of the post (Why I Am Still Not An Anarchist -- Or Am I? Part One and Part Two) and the reflections that accompany it.

Friday, July 22, 2011

Indebtedness As A Lifelong Condition of Existential Precarity

David Graeber:
It is simply assumed, nowadays, that we will be born to indebted, mortgage-paying parents, go deep into debt for our educations, and never, quite, completely, get out -- and, therefore, that we will both live our lives with a constant feeling of at least slight attendant fear and humiliation, and that a significant portion of our life income will end up being paid out in interest and financial service payments.
It is enormously interesting to contrast the anxious relation of subjects to owner-elites sustained throughout life by means of ongoing indebtedness, to the empowering relation of citizen-peers to one another through their collaboration and contestation by means of the democratic state.

It is also interesting to ponder the different work of a massive state indebtedness shoring up owner-elites through the maintenance of the tyrannical state qua war machine (whether directing its energies toward foreign foes in wars of conquest of toward domestic foes in class warfare) as against the deployment of the democratic state qua investment engine to provide institutions for the nonviolent adjudicate of disputes, for the provision of general welfare to maintain the scene of informed nonduressed consent on which nonviolent enterprise depends, and to socialize public and common goods whose production otherwise demands the violent externalization of costs and risks or the violent expropriation of the common heritage of humanity.

I find myself thinking of Foucault's Discipline and Punish in which he proposes that the permanent failure of modern prisons to function as institutions of rehabilitation may suggest that their function instead is to create a permanent population of delinquent subjects at once susceptible to exploitation and conspicuous abuse in ways that are indispensable to the privileged but would otherwise undermine the self-image of polities defined by ideals of general welfare and legal equity, while at once bearing permanently in their bodies the conspicuous stigma and in their lives the costly marginality of illegality not so subtly warning majorities always to behave even if they are "free" not so to do.

Foucault's point is not, by the way, to propose that the production of delinquency is a secret or conspiratorial project undertaken under cover of rehabilitation but that the disciplinary assumptions and supervisory mechanisms through which normal(izing) rehabilitation is undertaken are functionally indistinguishable from the production of delinquency as such, with the implication that prisons are a representative disciplinary institution rather than an exceptional one, just one islet in what he describes as a "carceral archipelago" which includes armies, broadcast media, companies, courts, factories, and schools producing "capable selves" rationalized in reference to the normalizing administration of general welfare.

What is especially provocative about Discipline and Punish, of course, is its exposure and critique of what might be described as anti-democratizing forces at the very heart of the democratic ethos, arising out of democratizing assumptions and ends themselves, and while this can be useful it can also be rather demoralizing (as it was not for Foucault himself, who was devoted to all sorts of liberal and radical political campaigns in his public life of precisely the sort some might think he had fatally problematized).

Recalling that pieties about rehabilitation are infrequent compared to the discourse in which prisoners are said to be "paying their debt to society" I find myself wondering if Graeber's discussion of indebtedness as a generalizing existential condition reminiscent to me of Foucault's delinquency might provide an analytic tool helping those of us Marxists/Postmarxists who have made the biopolitical turn (usually via Arendt, Fanon, Foucault) and who would still make distinctions between democratizing universalisms and anti-democratizing neoliberal/neoconservative universalisms that are often intertwined historically, discursively (through the language of humanism, rights, nonviolence, consent, markets, and, yes, democracy itself).

Making this move through the figure of debt is especially attractive given the ongoing neoliberal(/neoconservative) "progressive" developmentalism that polices planetary hierarchy, installing a planetary precariat (the rewriting of the vast majority of humanity in the image of informal insecure radically precarious labor, the postmarxist proletariat) especially in the context of global digitizing-financialization-logoization and international debt through "structural adjustment protocols."

Strife and Debt

It is in this context that I think it is interesting to read this comment on the ways contemporary society compels young people into comparative acquiescence by Bruce Levine. (The excerpt is about student loan debt, but I also agree with him about the impacts of mind-numbing superficiality of "participation" in now ubiquitous social media formations and the pharmacological-therapeutic imposition of mediocrity-conformity among school age students, follow the link to read more):
Large debt -- and the fear it creates -- is a pacifying force. There was no tuition at the City University of New York when I attended one of its colleges in the 1970s, a time when tuition at many U.S. public universities was so affordable that it was easy to get a B.A. and even a graduate degree without accruing any student-loan debt. While those days are gone in the United States, public universities continue to be free in the Arab world and are either free or with very low fees in many countries throughout the world. The millions of young Iranians who risked getting shot to protest their disputed 2009 presidential election, the millions of young Egyptians who risked their lives earlier this year to eliminate Mubarak, and the millions of young Americans who demonstrated against the Vietnam War all had in common the absence of pacifying huge student-loan debt.

Today in the United States, two-thirds of graduating seniors at four-year colleges have student-loan debt, including over 62 percent of public university graduates. While average undergraduate debt is close to $25,000, I increasingly talk to college graduates with closer to $100,000 in student-loan debt. During the time in one’s life when it should be easiest to resist authority because one does not yet have family responsibilities, many young people worry about the cost of bucking authority, losing their job, and being unable to pay an ever-increasing debt. In a vicious cycle, student debt has a subduing effect on activism, and political passivity makes it more likely that students will accept such debt as a natural part of life.
More Graeber: Debt and Magical Thinking

David Graeber:
The peculiar willingness of American families to accept, at a time of 9.2 percent unemployment, that our real problem is the need to cut government spending to balance the budget can only be explained as a classic example of magical thinking (I’m an anthropologist, I know magical thinking when I see it): perhaps if we can balance our collective budget, I will be able balance my family’s budget too.
Obviously this is enormously relevant at the present time, given the facile rhetoric circulating especially among the anti-tax anti-government ante-constitutional Movement Republicans to justify their eagerness to crash the economy (you know, for kids!), endlessly analogizing budgetary decisions families make with those governments make -- even though family budgets are minute pieces of national budgets and not vice versa, although governments have tools available to them that no family has at its disposal, thus rendering the analogy instantly, obviously, utterly false.

It is interesting that Graeber is making the same sort of point from a different angle of view: Rather than imposing an inapt domestic set of budgetary standards on a national budget in an understandable effort to make comprehensible something unfathomably enormous through something modestly quotidian, something altogether alien through something more familiar, Graeber is proposing that another part of what might be afoot here is the desire to exert control on what seems volatile at the local level by uncritically demanding the control of the wider context in which that local threat is lodged, a desperate desire to wrangle the wider world into stability on familiar terms in the hope that one's own pocket of the world will thereby resume its own stability.

Still More Graeber: Debt, Money, History

David Graeber:
As long as there has been money, there’s been debt… For one thing, what we now call “virtual money” is nothing new. In fact it’s the original form of money. Credit systems predate coinage by at least two thousand years. Human history has alternated back and forth between eras of virtual credit money, and eras dominated by gold and silver -- which have also, invariably, been times of great empire, standing armies (coins were invented to pay soldiers), and slavery. [A]rguments over credit, debt, virtual and physical money have [always] been at the very center of political life… [W]hen money is imagined as gold… simply one commodity among others, attitudes toward debt tend… to harden, often creating dramatic social unrest (pretty much every popular insurrection in the ancient world was over issues of debt). In periods dominated by credit money, such as the Middle Ages, money was seen essentially as an IOU, a social arrangement. The result was, almost invariably, the creation of some sort of great institution designed to protect debtors, so as to ensure the system didn’t fly completely out of hand: periodic clean slates in the ancient Near East, bans on the charging of interest and debt peonage in Medieval Christianity and Islam, and so on… We already learned in 2008 that debts -- even trillions in debts -- can be made to go away if the debtor is sufficiently rich and influential. It is only a matter of time before people draw the obvious conclusions: that if money is just a social arrangement, so many IOUs that can be renegotiated by mutual agreement, then if democracy is to mean anything, that has to be true for everyone, not just the few. And the implications of that, could be epochal.
Marvelous stuff, definitely I will have to read Graeber's book now. The identification of money with debt has, of course, an enormous pedigree, but Ellen Hodgson Brown has been attracting a lot of populist attention lately flogging the point, I know.

The deeper point about money as a social compact rather than as a commodity -- the point which yields the "epochal implications" concerning democracy of his conclusion -- reminds me of the great Karl Polanyi's insistence in The Great Transformation (the first, immediate, and still best repudiation of Hayekian neoliberalism) that money -- like labor and land -- cannot properly be regarded as commodities.

Polanyi's point about labor is actually at the root of my own insistence on the maintenance of a scene of legible informed nonduressed consent, his point about land -- where "land" has the same sort of resonance it does in Leopold's "land ethic" -- is also at the root of my insistence on the socialization of public and common goods -- both of which I elaborated in a companion post occasioned by Graeber's editorial today.

Friday, July 15, 2011

Fool Me Tee Vee -- A Clip Show

An anthology once updated daily but nowadays only occasionally...

1. In museums the world over you will find clay jugs centuries old that already feature the New and Improved E-Z Pour Spout.

2. Babies wearing denim diapers while sexy music plays in the background? Not cute, actually. Not cool, actually. Not anything at all but creepy and sick, actually.

3. Ladies, if he's looking at your lashes, he's gay.

4. "Real Americans" hate San Francisco so much that all commercials are filmed in our beautiful city so they can stare longingly at it all year between their vacations here.

5. The sixteen year old model looks young because she is young, not because of the cream they are lying about her slathering on her sixteen year old face.

6. Seeing the same commercial four or more times over the course of an hour, even for a product that seemed mildly desirable the first time around, comes to provoke in any sane self-respecting person, I find, a kind of spiritual crisis, calling forth the urgent desire to obliterate every single instance of the damned thing and every single person associated with it in a screaming bloody sledghammering rain of vengeance.

7. I realize it's already round, Mr. Dyson, but don't you think the doorknob, too, is just crying out for a radical re-think?

8. Yeah, thanks, Febreze, when I think of "air freshener" what I really have in mind is a smell like a rotting florist refrigerator in a retirement community for incontinent prostitutes.

9. It's a good thing BBC America is turning into the SciFi Channel now that the SciFi Channel is turning into TBN…

10. And after all, who needs feminism when the tee vee assures us women want nothing at all in the whole wide world but a constant supply of yogurt and chocolate?

11. Your new car looks exactly like everybody else's new car.

12. He's a tough talkin' rule breakin' lawman, he's a loose cannon, he's an infantile belligerent bully, he's a white racist asshole, he's a patriarchal prick, but he gets results!

13. Who needs sit-coms when there is obviously nothing in the whole world more laugh out funny than the subject of goddamn insurance?

14. In 1967, in the Summer of Love, all the hippies were in the park and on the street singing about peace, love, and understanding, but in 2011, in the Summer of Shove, all the hippies and all their guitars are peddling soft drinks and luxury cars and adult diapers like they should be.

15. Using an android phone is just like being sucked into a virtual world and you are flying on an exhilarating adrenaline wave through space and exploding space stations and insectivorous robot swarms and models in cat suits and oiled athletes and they are all brushing white hot against your skin while dance beats throb and guitars wail and you are those space stations, you are those robots, you are those models, you are those muscles, you are those explosions, you are those guitars, except you are really checking your work e-mail on a postage stamp screen because you're on a cellphone and it's not anything like any of that at all you moron.

16. If you were a real man, you'd be driving a big truck. Also, your dick should be bigger.

17. To those who say, "Free, just pay!" I say, "Live, just die!"

18. The proportion of the public relations budgets of major petroleum companies devoted to images of renewable energy stands in a revealing relation to the proportion of the operating budgets of major petroleum companies devoted to producing renewable energy.

19. I'm so old I can remember when they still said you were subscribing to a cable provider so you wouldn't have to watch so many commercials.

20. Chances are, it's neither new, nor improved.

21. Designer pillows? Designer? Pillows? Really?

22. Shouting is not the same thing as acting, there, Whitey McPlainwrap.

23. If Public Broadcasting really wants to thank "Viewers Like Me" they can start by getting rid of the goddamn petrochemical and car commercials already.

24. Homophobia is so gay!

25. It is enormously helpful that they run ads about the show I am watching during the show itself, since by now so many commercials interrupt it to play in a row I am prone to forget what goddamn show I am watching in the first place.

26. You can tell Chris Matthews is a very smart and very serious person by the way he barks like a dog at those with whom he is conversing at regular intervals like all very smart and very serious people do.

27. Note to the Faithful: I'm pretty sure god wouldn't give two shits how you are faring in your little game show appearance.

28. An empty swing-set, a discarded doll, a blond wig, a gavel coming down, dong-dong! and eleven hours later you're saucer eyed in a ruin of blankets and pizza crusts with the phone off the hook as you realize you're re-watching episodes in a Law and Order Marathon that's been repeating itself for at least a couple of episodes now wondering if it's still Sunday or if you accidentally missed work Monday already. In case you were wondering, this is the freedom they hate us for. Well, that and all our, you know, murdering and marauding and stuff.

29. Well, no, since I think actual whores tend to be considerably more professional, ethical, and attractive than the personalities featured on Fox News.

30. When MTV came out, we started watching record company promotional content in between the ads. When Facebook came out, we started surfing promotional content we produced ourselves promoting ourselves in between the ads. In this way, here in America, progress is made.

31. Has it never occurred to you that if you really want your bedroom to look like a hotel suite and your living room to look like a hotel lobby and your kitchen to look like a food court that maybe what you need to do is change your life and not redecorate your house?

32. When you finally toss your crappy Kindle in the trash because it cracked, or because of the expense, or because of the censorship, or because you grasp renting isn't owning a book, or because of all the ads you can't skip (and believe me, it's coming), don't pretend there wasn't somebody warning you and there isn't somebody laughing at you.

33. It really is too bad John Lennon didn't live long enough to see the fulfillment of his dream that one day his music would be used to sell breakfast cereal and long-distance phone service.

34. Watching cooking competitions on television you're given the impression that no woman has a place in the kitchen, while watching the commercials during cooking competitions you're given the impression that women have no place except in the kitchen.

35. It bears remembering that none of the actually safe, actually effective, actually best prescription medicines are advertized on television because they don't have to be.

36. Can somebody please tell me what the fuck Julia Roberts is cackling about all the time?

37. Sorry, but your crappy kitchen isn't Tuscany.

38. Only celebrities are real, and no celebrities are real.

39. Pundits, it might be worthwhile occasionally to point out that Nixon's "Silent Majority" was a minority, that Reagan's "Moral Majority" was a minority, that Bush's "Values Voters" were a minority voting for a minority of the values people vote for, that Red State "Real Americans" are a minority of real Americans, that only a minority of "Independent Voters" have ever had an independent thought let alone voted on the basis of one, and that a majority of those who call themselves "pro-life" also happen to support civilian casualties in wars of choice, lethal back-alley abortions, poisonous material environments, accidental executions of the wrongly convicted, ever more guns and bullets in the streets, and billions of people dying unnecessarily of starvation, from unclean water and treatable diseases around the world so that a miniscule minority can roll in dough for life.

40. Could there actually be more suburban housewives on television than there are in the suburbs?

41. Modern advertising began a century ago by deceiving us that there were substantial differences between mass-produced consumer goods according to the brands they bear, and has succeeded by now, a century later, in deceiving us that there are substantial differences between mass-produced consumers according to the brands we buy.

42. You probably aren't depressed at all, but just fucked over. If there's a pill for that it's not on sale, and chances are there's a War On It.

43. To win a cooking competition on reality television it usually pays to be an asshole, while to be a successful chef in reality it usually pays not to be an asshole.

44. I hate to break it to you, HGTV, but every room has a sense of space, every door brings the outside in, every window lets in the light, every surface has texture and you haven't actually said anything of the least use to anybody yet.

45. It is a little disturbing to grasp how many disclaimer-stuffed pharmaceutical ads on television today could aptly be summed up with the slogan, "Perish Sooner Than You Have To, But Leave A Better Looking Corpse."

46. It really is amazing how much more interesting an utterly undistinguished new automobile can look when we are confined to half second glimpses filmed two inches from its surface in strobe lighting.

47. Surely, there is really no such thing as a "fitness celebrity"?

48. Could all these wives in all these commercials possibly not realize their husbands are gay?

49. It is high time America's corporations waged war on that fetid field you call a body.

50. Can anybody who enjoys prime time game shows pretend incomprehension to the draw for the Romans of the Colosseum?

51. 4G? 3D? All still entirely yet 2B.

52. If remote control units were invented today do you really think they would allow them to feature a mute button?

53. You really should be worrying about the devastating humiliation of toilet paper fragments clinging, despite your best efforts, all the livelong day, possibly even right now, to your buttocks.

54. Kids screaming at the top of their lungs and destroying everything in sight: cute or ugly? Apparently, unaccountably, cute.

55. Given the atrocities Rachel Maddow is documenting, I'm a bit surprised she doesn't begin every show with a "Cocktail Moment."

56. You know, I was just watching this ad on my tee vee, and I think those nice earnest kids over at Exxon Mobile really might do something about the environment if only we'd give them some real money to work with!

57. What with their endless obsession with germs menacing every apparently pristine surface in their fortress homes and unpleasant odors emanating subtly, ceaselessly from every fold and pore in their bodies you get the feeling sometimes it's almost as if Americans collectively feel nervous or guilty about something...

58. Even with your logo slapped on it everybody knows that egg you're selling is just a goddamn egg, you jackass.

59. Comparing the number of robots you see in commercials with the number of robots one encounters in actual life, you almost get the feeling the guys running the show must think a lot of us are just robots…

60. A cream isn't a clinic.

61. Chinese tech company announces development of an even SMARTER abacus!

62. Now that Americans can't put a man on the Moon anymore it would probably be a good idea to stop listing all the other things we should be able to do if we can put a man on the Moon.

63. This quip has received "Four Stars!" from a premier quip rating agency.

64. Unfortunately, even a soundtrack of hysterical dance beats is rarely enough to make gluing pieces of a broken plate to a lamp base for ten minutes exciting to watch.

65. Four out of five dentists will not laugh at this joke, despite the stunning manufactured beauty of their smiles.

66. Yeah, that's right, assholes, we do all get up and pee whenever your commercial comes on, so there.

67. Since the switch-over to the digital television future I am most grateful for new features like off-synch audio, blackouts, and shadowy pixellation waves sweeping and distorting the images on the screen, all of which have, I must say, "enhanced" my television experience in ways I never expected but probably should have.

68. Thanks to the capitalists at General Motors, OnStar now dials the socialists at 911 so you don't have to and even when you don't want to.

69. It'll take more than "Mr. Blue Sky" in the background of your commercial to make me smile as you bastards try to steal another minute from my life.

70. You aren't educated just because the circus came to town.

71. Today's observation is both specially formulated and clinically proven.

72. You really don't have to smell that way, capitalism wants to help.

73. Honestly, all the ads front-loaded onto my new DVD were so absolutely captivating I didn't even notice that I couldn't fast forward through them anymore, I was just drinking in every second of sparkling advertizing content in a kind rapture spoiled only by a slow-growing dread that all too soon the commercials would end and I would be left with nothing to watch but the actual goddamn film I actually paid my goddamn money to watch in my goddamn home on my own goddamn time in the goddamn first place, goddamn it!

74. Hamlet holding the remote: Press play or a trigger, what is the difference?

75. Today's quip is working on the molecular level.

76. Nothing in all the world says youthful fun, really, like some dead-eyed choad barking at the top of his lungs in an Australian accent.

77. Not only should you not be waxing rhapsodic about it, but every person of the meanest sense should run screaming for their lives from that toxic petrochemical bouquet that is New Car Smell.

78. Funny how many couples on television actually consist of fabulous gay men with women they wouldn't be caught dead with or fabulous straight women with schlubs they wouldn't be caught dead with.

79. The wholesome tasty dairy products in your refrigerator did not arrive from a sunny bucolic family farm from a daydream of the fifties but from a sprawling seething industrial nightmare of screaming metal and pain and fear and feces and mob-violence.

80. Choosy Moms choose dangerous anesthetizing drugs and big screen televisions exploding with violence and crap commercials to raise their kids!

81. Today's observation is brought to you by Acerbix.

82. Apparently, heterosexual males are distinguishable from homosexual ones primarily by their erotic relations to backyard grilling apparatus.

83. If it bleeds, the News cedes.

84. The differences between a Honda and a Jaguar and a Chrysler and a BMW scarcely amount to more than different hood ornaments, different price tags, and different rubes.

85. I prefer my tap water free from public fountains rather than from your crappy bacterially-infested landfill-destined toxic-plastic bottles at a dollar a pop, thanks.

86. You have to wonder whether the imbeciles who buy gourmet dog food have ever noticed the bliss with which their little darlings lick their own assholes for hours at a time.

87. So, we're calling episodes "experiences" and re-runs "encore presentations" now, are we? What are the commercials, then, "liaisons"?

88. My working theory is that advertizing executives are not human beings but a reptile-brained humanoid species distinguishable from humans by the emission of blue fluids from various bodily orifices.

89. It is truly perverse the number of commercials which indulge the fantasy of food endowed with speech… and with nothing to talk about except how desperately it wants to be eaten for lunch.

90. Our gadgets are not alive and they are not intelligent. This matters, because we happen to be both alive and intelligent ourselves and when we say the same of things that are neither we risk being rendered less alive and less intelligent in compensation.

91. Nothing succeeds like less.

92. We are all unpaid unwitting uninformed subjects in a profoundly dangerous experiment examining the effects of long-term exposure to complex combinations of toxic and medicinal substances nobody understands. Since we cannot opt out of our experimental subjecthood, I propose we demand substantial payment for our service from those who are disproportionately profiting from it.

93. I strongly suspect it is watching your commercial that has given me this burning sensation.

94. One thing sure to improve this quip for next time would be to slap some bacon on it.

95. Between all the heartfelt talk shows and all the heart burn commercials, who really has the heart to watch day time television?

96. It really is too bad the way car exhaust is destroying so many lovely wilderness settings car commercials might otherwise be filmed in.

97. Broadcast television is so righteous you can show your hero putting his fist in somebody's mouth every single episode and win awards but if you show your hero putting his penis in his lover's mouth just once you'll never work again till the day you die.

98. How strange to observe that as tee vee screens keep getting bigger the fine print for the legal disclaimers on tee vee commercials is still getting smaller.

99. Why listen to your doctor when instead you could be directing your doctor's attention to things actors on television who don't know you and can't see you are talking about so that the pharmaceutical companies that hired them to say these things can make more money?

100. The image of an infant nursing at her mother's breast? Unacceptable! The image of an obese shirtless man nursing a beer in a stadium crowd? Ubiquitous! It's called standards, people.

101. There is nothing the least bit romantic about instant coffee.

102. Today's observation possesses a gravelly voice, a slight twang, and also, one may safely assume, a hemi.

103. The ugly, middlebrow, radioactive monument in granite to this dreary deadly decade is a million gruesome kitchen countertops.

104. Be Young! Have Fun! A skeleton? Have None! Drink more carbonated beverages!

105. It's funny because the woman character doesn't want to do anything but shop all the time, because women don't want to do anything but shop all the time, you know what women are like, they don't want to do anything but shop all the time, isn't it funny how women are like that, shopping all the time!

106. Essentially, every TED Talk sells you something, while incidentally pretending to teach you something.

107. Rather than wait in line at the Apple store for their latest must-have gew-gaw, why not just shellac any old dysfunctional decade old crap in white nail polish yourself and call it a day?

108. USA Network -- Characters Welcome (but neither required nor expected)

109. Nowadays, "innovation" is almost exclusively a word denoting a promotional rather than technical accomplishment, the benefits of which tend in turn almost exclusively to be distributed preferentially to usurers over users.

110. It's the feel-bored film of the season!

111. Of course she's crazy, listening to that discordant piano in the background all the time like that…

112. "At the end of the day" is the favored cliché of the pundit with nothing convincing to say.

113. What's her anti-aging secret? …she's fourteen years old!

114. Thank heavens after the Republicans dismantle our medical system, we'll still have celebrities hawking tee-shirts to support cutting edge research and universal healthcare coverage.

115. Won't somebody please think of the children? Except, you know, when they're gyrating around to dance beats in diaper commercials or made up like street walkers on reality shows about the pageant circuit...

116. Having new sneakers doesn't mean having a new soul.

117. Every time I watch a pharmaceutical ad today all I can hear is the ad tomorrow soliciting plaintiffs in a class action suit.

118. There's something about the endorsement of a cartoon character that just inspires immediate and absolute confidence in the quality of a product or service.

119. Given the curious prevalence in them of unappealing protagonists placed in pointlessly unpleasant situations, one gets the impression that car companies have not yet given their whole hearts to the selling of hybrid or electric vehicles.

120. Every reviewer of books who uses the word "unputdownable" should be put down immediately for it.

121. Don't mess with Texas. You might make it cry.

122. Just think how recently we all settled for the radical impoverishment of our viewing experience of not having a logo announcing the network we are watching at the moment filling a corner of the screen at all times.

123. We urge you to call and order within the next five minutes! Your supplies of credulity are limited.

124. Loan sharks and mail-order pawn shops are advertizing on prime time television now. Things are going well.

125. Rather than resigning ourselves to the endless ramification and amplification of advertizing in our lives what if instead we tried suing for harassment?

126. However much money she made in the exchange, it is not finally to the advantage of anyone that the name Jaime Lee Curtis once reminded us of movies but now of bowel movements.

127. How apt that the vast tragedy of for-profit insurance peddles its wasteful skimming and lethal scamming in the form of little comedy sketches.

128. Only the decorative deceptions of the advertizing agency deserve the label "artisan" whenever this term attaches in their commercials to mass packaged productions and fast food extrusions.

129. I wasn't interested in what you were selling before, but now that you are shouting at the top of your lungs about the damn thing I must say it is becoming more alluring by the second.

130. Your results will vary.

131. If your home isn't as sterile as an operating theater you are a failure as a human being. Also, you are in terrible danger.

132. Where everyone is quirky, no one is.

133. You are only as real as the envy your purchases inspire in others.

134. For Heaven's sake, shouldn't you be tweeting or scrapbooking or something?

135. In commerce, supplies are limited but the lies unlimited.

136. It's corn syrup! Soylent Green is made out of corn syrup!

137. The televangelist's path to Heaven involves preying one's way to the top of a gold-plated pile of poop before perishing and praying the peak pierces Paradise.

138. Whatever candidate or party prevails, it is only the television networks that are assured absolute victory in every American election.

139. It's beginning to look a lot like Buy! Buy! Buy! Buy! Buy! Buy! Buy! Buy! Buy!

140. Watching drug commercials may cause annoyance related death.

141. Iron Law of Televised Cooking Show Judging: When in doubt, kick the woman out.

142. You have to be pretty undistinguished to seek to distinguish yourself through the purchase of an automobile that is indistinguishable from every other.

143. It is truly a marvelous thing to observe, rather like watching water turned to wine, the way companies turn whine into fodder, when, after being fought tooth and nail for as long as possible and in every possible way, supposedly onerous, supposedly ruinous, supposedly outrageous regulatory demands are instantly transformed the moment they are implemented into immensely desirable safety and energy efficiency features about which the companies go on to crow in the most self-congratulatory fashion imaginable and on the basis of which they go on most energetically to outcompete their rivals.

144. When a Republican tells you government is good for nothing in his campaign ad you really should pay attention because he is admitting his attraction and announcing his plans.

145. If Los Angeles were as dedicated to recycling as it is to remakes you could eat the buildings for dinner by now and they would grow back in time for breakfast.

146. The bigger the box, the more air inside.

147. Has any manufactured good remained either alluring or even functional for nearly as long as the packaging it comes in lingers on as toxic landfill?

148. Today's observation is made with 100% real fruit juice.

149. When you're painting with cosmetics the blank canvas is inevitably more beautiful than the resulting painting.

150. The world isn't a better place just because you got off.

151. If she isn't careful Jane Lynch may soon discover that literally the only thing people won't buy if she is selling it is that she is an actress.

152. Also, I hear, every jiss begins with Jay.

153. You may think it's clean but let's see what is revealed by this black light… oh, look at that, vile bacteria still clinging to your gums even after brushing… germs seething around the base of your toilet bowl… and, oh dear, your soul appears to be irredeemably stained with complicity in the wasteful destruction of the planet and the exploitation of billions of the world's poor…

154. The Soap Opera is a languishing narrative form, its vestiges now living on primarily in prime-time televised singing competitions.

155. When they turn the cameras off, you do realize the models spit that garbage back out, right?

156. Beyond the thanks, think: Beyond the feast, famine.

157. Never once has making a good purchase made a person good.

158. The pill, powder, or potion promising you weight loss or to lower your cholesterol level when accompanied by a sensible diet and exercise never points out that a sensible diet and exercise need no accompaniment by pill, powder, or potion to promise you weight loss or to lower your cholesterol level.

159. The only thing more exaggerated in prime time crime dramas than the incidence of crime is the competence of criminologists.

160. You have to lie to a whole lot of people before the rotten liar becomes the respectable professional, just as you have to owe a whole lot of money before the serf becomes the King.

161. The difference between a used car salesman and a televangelist is that one steals from you by lying about the vehicle while the other steals from you by lying about the road.

162. While watching sports on television doesn't make you a real athlete, masturbating to online porn does at least give you a real sex life.

163. Today's observation is part of this complete breakfast.

164. Is there anything more nostalgic than a product said to look futuristic?

165. The number of characters in a sit-com living in places they could actually afford is roughly equal to the number of jokes per episode that actually get a laugh.

166. Moms in Malls are the scariest clowns in the world.

167. No matter what they promise to the contrary, your garbage bag will still tear on a corner, your paper towel will still shred in a puddle, your wineglass will still speckle in the machine, and no matter what they imply to the contrary, you will still be fine.

168. Straight marriage is more like prostitution than anybody cares to admit and gay marriage is more like dating than anybody cares to admit.

169. When it comes to climate change, one gets the impression most people on television won't realize until curtain that the big show wasn't a dress rehearsal.

170. It is distressing how often "Made in the USA" is a label displayed in the USA on commodities mislaid in the USA made by slaves for the USA.

171. This observation is vitamin fortified.

172. Is there anything in the world that makes a food product more alluring than seeing it smeared all over some snot-nosed spoon-shaking maniacally-grinning infantile face? America unanimously declares apparently that, no, there is not.

173. So, let me get this straight, you're charging the same money for a chocolate bar you've blown a million tiny holes in as for a solid chocolate bar because what really matters about the holes, you say, is the enhancement of my chocolate eating experience presumably afforded by the holes compared to which the fact that there is now half as much chocolate you are selling me is merely incidental?

174. If you would understand a stock market graph, whenever the arrow goes up simply imagine it piercing the heart of a small child like a fondue fork and popping the heartbroken morsel into the slobbering gob of a rich man who has no heart.

175. If mortality makes you queasy and aging more diseasy,
Still, youth-peddlers are so sleazy disregarding them should be easy.

176. Your online education isn't worth the paper it isn't printed on.

177. What is that even supposed to mean, "A Family Company"? The phrase reeks of nepotism, dogmatism, and incest.

178. 'Tis the Season for all the white patriotic consumers to celebrate the birth of the brown pacifist communist they would kill.

179. The revolution was televised but I only caught it in syndication.

180. More fast food should arrive in a bucket. It's handy to vomit in when you're done.

181. I adore flavored coffees. I mean, they are talking about booze aren't they?

182. IT'S JUST YOUR IMAGINATION THAT COMMERCIALS ARE LOUDER THAN THE REGULAR PROGRAMMING!

183. When I was a kid every refrigerator had a bottle of Thousand Island dressing in it. Now, every refrigerator has a bottle of Ranch dressing in it. Progress under consumer capitalism is, we all know so well, marvelous and inexorable. Who knows what salad dressing will grace the refrigerators of the future?

184. "So crazy" is inevitably what boring people call being boring.

185. Anybody can become famous, but only monsters remain famous.

186. No celebrity who calls himself a dork, a nerd, or a geek in the expectation that this will be regarded as charming is a dork, a nerd, a geek, or charming.

187. Bury Crass Mess!

188. Now that their norms for male beauty have become as unattainable as those that have so long prevailed for female beauty, mass media have made as their single concession to feminism the eager encouragement of equal self-loathing.

189. If you enjoy time travel narratives, might I suggest watching C-SPAN?

190. On crime shows, the most famous guest star did it. It's the law.

191. Actually, no, your cleaning product isn't in any available sense revolutionary.

192. Tee Vee young is not real young, Tee Vee ugly is not real ugly, Tee Vee intelligent is not real intelligent.

193. Freedom has nothing to do with buying things.

194. Television commercials are forever implying their chocolate will deliver shattering orgasms, but I can assure them that the average candy bar is hardly impressive enough even remotely to manage the trick.

195. You'd think an "original series" would be less unoriginal.

196. I mean, what reasonable person wouldn't invite radically increased infection risk, suicidal thoughts, and occasional homicidal sleepwalking for a slim chance at clearer skin?

197. Online University is now offering advanced degrees in "technology"! "numbers"! "words"! Also, mopping and filing!

198. Worried about computer viruses? Go to novirussexydad39800trustmenoreally.com!

199. "I'm a lying reactionary asshole and I approve this message full of lies."

200. Claims made in this advertisement were not evaluated by the FDA, a meddling fascist conspiracy agency that should be abolished anyway, MegaPharmaAgriChemiCorp, a Family Company

201. I'm sticking to the handheld I came with.

202. The web is an embarrassment of riches when it isn't being just an embarrassment.

203. The wireless future is the rabbit ears past.

204. Nothing stamps out a radical like putting them on a stamp.

205. Sure to be Dumb: Anything marketed as "Smart."

206. The sky above the port was the color of television, tuned to the HBO logo.

207. Any change in services that increases corporate profits will be peddled to consumers as "convenience," however inconvenient it may be. Indeed, that is what convenience means.

208. When you're hammered everything sounds like a nail.

209. A haircut may be a claim, but it isn't an argument.

210. Live tweeting is dead.

211. Watching Chris Matthews is like watching Mars Attacks! dubbed entirely into Martian.

212. Every Apple product is a funhouse mirror, an iMe killing time.

213. Distractions don't add up to a life and won't subtract you from death.

214. Every selfie plucks a self from the shelf.

215. When you are flying under the radar you are still flying.

216. First being is degraded by consumer capitalism into having, then having is degraded by spectacular media into appearing, and now appearing is being degraded by data collection into being framed.

217. Capitalism exploits everyone and destroys the planet and can't even provide me with Deep Space 9 on blu ray.

218. Be the droids you're looking for in the world.

219. Use of the smoking gun analogy is the smoking gun for ineptitude in the use of analogies.

220. I don't follow politics for inspiration, entertainment, or a dream date. That is what porn is for.

Wednesday, July 06, 2011

Trying To Talk Politics With Pre-Political Libertarians

It's never easy to talk about politics in fundamental terms since we are so apt to mistake custom for nature, rites for rights, contingencies for givens, but with libertarians of especially the anarcho-capitalist sort this difficulty becomes next to impossible since theirs is an essentially pre-political outlook that has come to be treated as a political one and in many respects even, disastrously and flabbergastingly enough, as political orthodoxy.

It is conventional for libertarians to identify the state with violence and to treat advocacy of government reform, even reform to address violence and abuse, as always only an advocacy of violence. It is crucial from the beginning to recognize that the mighty always may abuse and prey upon the less mighty or less lucky, and also that the beneficiaries of abuses are ever prone to rationalize might as right. But all of this inheres in the sociality of the human condition. It is not brought into existence by the state, but tyrannical governance can amplify these ills just as democratic governance can ameliorate them.

What libertarians fancy as a desirable demolition of government violence (and so, too, those Republicans who advocate the endless shrinking of government without indicating its proper function, who advocate deregulation without end, who advocate "starving the beast" through the elimination of ever more tax revenues) would neither disincline the mighty from violence nor disinvent the implements through which they engage in violence. Defensive and predatory associations would persist in their bloodymindedness, hierarchical fiefdoms presided over by brutal or charismatic leaders would persist in their misconduct all the while retro-actively rationalizing it all to themselves and to others whenever the occasion permits, mighty powers and organizations would rise and fall in a clash of muscular violence in their interminable gory pageant. It is not democracy that creates this state of affairs of course but seeks to respond to its waste and violence by creating alternative mechanisms for the comparatively nonviolent succession through regular elections of social leadership across many co-operating jurisdictional layers, just as courts create comparatively nonviolent alternatives for the adjudication of disputes but in so doing hardly bring disputation as such into existence.

It's true of course that state institutions -- legislative, judicial, administrative -- may rely in extremity on the violent potential of warden or police or army to abide in their legitimate work in the face of disruption or threat. Nevertheless, to treat the presence or absence of legitimate courts to which citizens may make equitable recourse with a reasonable expectation of justice as no different in respect to violence, or to treat the presence or absence of periodic elections of citizens to posts to which majorities are eligible to hold office by citizens majorities of whom are eligible to vote as no different in respect to violence is to treat with indifference differences that make all the difference in the world.

The issues extend deeper and wider than you might think. Public goods that are described as non-excludable (which roughly means they are accessible to all) and also non-rival (which roughly means they are not immediately consumed in use) like public utility infrastructure or a healthy, educated citizenry, and also common goods that are described as non-excludable but rival, like a stressed atmosphere or aquifer, can only be profitably privatized through the externalization of social costs in what amounts to a second order register of violence or abuse rendered visible only through the emergence of civic institutions, a register of violence and abuse that is equitably adjudicable only through their socialization. Of course, there's no reason necessarily to treat the overwhelming abundance of excludable goods as anything but private, whether as commodities for sale or products freely offered under other arrangements. But what matters here is that the private ownership of commodities will depend on the maintenance of a context of public and common goods that are not commodities and cannot properly be privatized at all, and that the socialization and public administration of these goods is still a matter of the creation of alternatives to violence and injustice (even if the connection are less intuitive, arising as they do in the context of complex civic arrangements).

So, too, I will add, do the provision of basic healthcare, education, reliable information, income, equal access to law and opportunity function to ensure that when one consents to the demands, risks, costs, terms of private enterprise, that the scene of that consent is actually informed and non-duressed, and therefore legitimate. In the absence of such guarantees (and they have never been more than partially fulfilled hitherto in history), and precisely to the extent that they are lacking, "consent" is all too prone as we well know to be an empty ritual concealing wage slavery and military conscription via poverty and precarity of a kind continuous with forms of human trafficking we pretend to be long behind us. Again, what matters here is that those who bemoan as a kind of "enslavement" the provision of welfare via a taxation that curtails their extravagance fail to grasp that this provision is indispensable to the scene of consent on which we all depend else we risk enslavement ourselves.

In other words, the provision of the sorts of public and common goods that are often denigrated as "positive" supplemental artificial extractive liberty as distinguished from "negative" neutral natural spontaneous liberty actually are continuous with one another, together delineating what is never more than a contingent artificial ritual production of a space of liberty all too easy to treat as spontaneous but all of which is a collective and historical accomplishment depending first of all on good government.

So long as many on the left glibly identify property as theft and taxes as the price of civilization, and so long as many on the right glibly identify taxes as theft and pretend the maintenance of public goods could be left to charitable generosity it will be difficult to be clear about the crucial differences that separate the categories of prices, taxes, charities, their different functions and what they differently depend on, and political discourse will remain profoundly confused and incommensurable by the pet "clarifying" analogies deployed on all sides.

Prices tend to arise in the give and take of private enterprise enabled through the public maintenance of international treaties, trade regulations, reliable banking and insurance institutions, commercial norms, material and ritual networks of transportation, information, and communication; -- taxes tend instead to reflect the arbitrary distribution of benefit from this public infrastructure in order to maintain equitable private recourse to it; -- while voluntarisms offer pleasures that are not reducible to the satisfactions conferred by the consumption of commodities available for sale at a price nor accomplished in commodity exchange but through signals of community belonging.

None of this is easy to telescope into a sentence or two, and there's plenty of reasonable dispute around the edges and on matters of detail. But "libertarian" formulations often turn on elisions or confusions on these matters in particular.

Now, to provide nonviolent alternatives for the adjudication of disputes among a diversity of stakeholders (via courts, elections, the maintenance of a scene of informed nonduressed consent) or an equitable reconciliation of the diverse aspirations of those stakeholders (via representative governance and the social administration of public and common goods) demands the investment of institutions that administer justice and welfare with clear jurisdictional authorities to which all can make equitable recourse in their diversity.

While this enables people to circumvent much strife and abuse, it also creates opportunities for strife and abuse and corruption at the level of the governance itself, in response to which political theorists and policy makers have experimented with a number of institutional arrangements. Among these are the horizontal separation of powers, meant to redirect tendencies to corruption inhering in government's necessary monopoly recourse to force instead into the competitive internal policing of corruption and abuse of force; vertical federalism, meant to facilitate the solution of shared problems at the most local level adequate to their demands; regular periodic election of representatives and officials by the people over whom they have jurisdiction, trial by jury, yoking the revenue on which governance depends to representation, all meant to ensure government remains accountable to the people in whose name it governs; and the administration of oaths connecting public office to the defense of a written Constitution circumscribing its powers and to the support of an open-ended bill of delineated human rights.

To respect these arrangements is to support good government not to abhor government as such. Liberty, after all, is a collective accomplishment enabled through the support of good government, and those who venerate liberty should surely be moved by that veneration not to smash the state, but to democratize it.

I find too many libertarians prone to declare whatever I say, however genial or persuasive in tone, to be essentially hateful, "contaminated" by its defense of a democratic governance they reduce to violence, willy-nilly, indifferent to the different forms government can assume, and all the while declaring market exchanges non-coercive by fiat whatever the real terms of inequity that may articulate them. Again in sublime indifference to realities on the ground, too often they refuse to address negative real-world impacts of arguments and policies by Republicans and conservatives that were conspicuously inspired by libertarians or often even when they are proposed by self-identified libertarians, declaring bad outcomes always the result of inadequate zeal, declaring their advocates always to be impure or phony libertarians, and yet they continue freely to use these arguments and this label even when their usage in the world includes and depends on wider applications they claim to refuse.

Politics is not engineering, it is not theology, it is not morals: it has a real, distinct content, it corresponds to real, unique experiences, and it has real problems and propositions proper only to itself. To reduce politics to the terms of another domain is to distort it, often beyond recognition, and to forget its content, experiences, problems and propositions may be to lose them, one fears beyond reclamation.

From all this, I can think of at least three key insights indispensable to the grasp of the political and to the achievement of political freedom, each of which can now be captured in a slogan, and all of which libertarianism renders unintelligible and hence impossible: First, the State Only Amplifies or Ameliorates the Violence that Precedes It. Second, Legitimate Consent Requires Public Investment in a Scene that Is Equitable and Informed. Third, Liberty Is A Collaborative Accomplishment that Depends on Democratic Government.

Libertarianism is the eclipse of the political, not a variation on the political. Privatization is a privation of the public, not an alternate provision of it. To declare as non-coercive by definition all market transactions the terms of which are beholden to incumbent elites is not to advocate non-violence, but to endorse an openness to total violence. When we treat life not as lived but as a commodity available at the price of a salary to be exchanged for the satisfaction of consuming still more commodities, we are dispossessed by our possessions, distracted by the mirage of satisfaction from the freedom of emancipation.

Tuesday, July 05, 2011

Queer Projector: An Honor (and Dishonor) Roll of Queer Film Recommendations

I recommend films to students all the time, among them queer kids who seem to have little sense of history (perhaps after the demolition of the closet this doesn't matter so much) and who have what I take to be much too high a regard for the relentlessly transparent freshly scrubbed bourgeois romantic comedies and issue films that comprise so much "gay cinema" today. That stuff is fine as far as it goes, I suppose, and I enjoy a little cheer mixed with soft porn and a "serious examination of issues of the day" in an after-school special kinda sorta way as much as the next homo after a long tiring work week and so on. But these films offer something more -- and, sometimes, something indispensably less.

For students who are looking, whether they quite realize it or not, for a queer sensibility that attests to something more tragically aspirational, something more promisingly subversive, something more perversely beautiful it seems to me that there is still plenty to value in the queer screen articulated by the paradoxical dynamisms of the closet's open secrets, radical ironies, and testaments to suffering and joy.

The stratification of the scene of consent by the antinomies of equity-in-diversity and the demands of history and luck provide dilemmas to which queerness still vibrantly attests in culture in my view, and you better believe that while the ongoing demolition of the closet and the ongoing struggle to include queer folks in normative institutions is indeed a work of democratization, there are far more radical democratizing demands and struggles afoot which queerness might still differently feed if we let it make its play. Well, that's what I think, anyway.

And so, here are many of the films that I do recommend to folks as queer in some sense or other (also there are a few, a very few, television series I simply couldn't resist), whether in what they say for themselves or in what we like to say of them.

Some are documentary, some are camp, some are underground, some are just gorgeous or gorgeously awful or gorgeously awe-inspiring. I can't explain why I include all of these, I can't explain why I forgot some you would include (remind me what I have missed, or make a case for inclusions of your own, by all means, I admit that I have omitted many B-movie sword and sandals and space opera films that feel to me to deserve inclusion but it opened a can of worms that seemed too exhausting, especially given how quickly the list became how sprawling), and I admit that the list is very much my own, so sometimes my exclusions are matters of taste I feel I am perfectly entitled (no, I didn't forget "Queer As Folk" or "Jeffrey" or "Trick," I excluded them, and cheerfully so).

I am neither a film scholar nor a queer ethnographer -- well, I dabble -- so I have no pretensions of providing a canon here. The list goes by decade, and I begin with the thirties, because that seems to be more or less where my sense of these things begins as well. The 1895 Edison experimental clip "The Gay Brothers" is the place where scholars begin such canonical lists, but for me the story begins with Marlene Dietrich and Greta Garbo and that hardly seems like something one has to apologize for…

The Thirties

1930 Morocco
1931 Maedchen in Uniform
1932 Grand Hotel
1932 Blond Venus
1932 Freaks
1932 Trouble in Paradise
1933 Our Betters
1933 Queen Christina
1933 Christopher Strong
1934 The Gay Divorcee
1934 The Scarlet Empress
1935 Top Hat
1936 Craig's Wife
1937 Stage Door
1938 Bringing Up Baby
1939 The Wizard of Oz
1939 The Women

The Forties

1940 The Philadelphia Story
1940 Rebecca
1941 The Shanghai Gesture
1941 The Maltese Falcon
1942 Casablanca
1942 Arabian Nights
1943 Shadow of a Doubt
1944 Lifeboat
1944 Cobra Woman
1945 Brief Encounter
1945 Picture of Dorian Gray
1945 Rome, Open City
1946 Humoresque
1946 Gilda
1947 Black Narcissus
1948 The Red Shoes
1948 Rope
1949 Puce Moment
1949 Siren of Atlantis

The Fifties

1950 All About Eve
1950 Sunset Boulevard
1950 Un Chant d'Amour
1950 La Ronde
1950 Rabbit's Moon
1951 A Streetcar Named Desire
1951 Quo Vadis
1951 The Browning Version
1952 The Importance of Being Earnest
1953 The Earrings of Madame de…
1953 Calamity Jane
1953 All I Desire
1953 How to Marry A Millionaire
1953 Gentlemen Prefer Blondes
1954 Johnny Guitar
1954 Inauguration of the Pleasure Dome
1955 Lola Montez
1955 Summertime
1955 All That Heaven Allows
1955 Rebel Without A Cause
1955 To Catch a Thief
1955 The Trouble With Harry
1955 Queen Bee
1956 The Man Who Knew Too Much
1956 Giant
1956 Written on the Wind
1957 Funny Face
1958 Auntie Mame
1958 Cat on a Hot Tin Roof
1959 The Best of Everything
1959 Pillow Talk
1959 North By Northwest
1959 Some Like It Hot
1959 Imitation of Life
1959 Suddenly, Last Summer
1959 Ben Hur

The Sixties

1960 The Fugitive Kind
1960 Peeping Tom
1960 Rocco and His Brothers
1960 The Flower Thief
1960 Spartacus
1961 Splendor in the Grass
1961 Viridiana
1961 The Roman Spring of Mrs. Stone
1961 Victim
1961 The Children's Hour
1961 Lover Come Back
1962 Sweet Bird of Youth
1962 Dr. No
1962 Jules et Jim
1962 Gypsy
1962 Whatever Happened to Baby Jane?
1962 Mamma Roma
1962 Lawrence of Arabia
1963 Flaming Creatures
1963 Normal Love
1963 Blow Job
1963 Cleopatra
1963 The VIPs
1964 Scorpio Rising
1964 Straight-Jacket
1964 The Yellow Rolls Royce
1964 Marnie
1964 The Night of the Iguana
1964 Goldfinger
1964 Hush… Hush, Sweet Charlotte
1964-1972 Bewitched
1965 Sins of the Fleshapoids
1966 Who's Afraid of Virginia Woolf?
1966 This Property Is Condemned
1966 Hold Me While I'm Naked
1966 Seconds
1966 Chelsea Girls
1967 Valley of the Dolls
1967 Belle du Jour
1967 I, A Man
1967 Bike Boy
1968 The Lion in Winter
1968 The Bride Wore Black
1968 Teorema
1968 The Killing of Sister George
1968 Funny Girl
1968 Barbarella
1968 Lonesome Cowboys
1968 Flesh
1969 Sweet Charity
1969 Satyricon
1969 The Damned
1969 Midnight Cowboy
1969 Hello, Dolly!
1969 The Milky Way

The Seventies

1970 The Boys in the Band
1970 Entertaining Mr. Sloane
1970 Beyond the Valley of the Dolls
1970 The Music Lovers
1970 Trash
1970 Multiple Maniacs
1971 Pink Narcissus
1971 Death in Venice
1971 Decameron
1971 Sunday, Bloody Sunday
1971 Diamonds Are Forever
1971 Women in Revolt
1971 The Devils
1971 Harold and Maude
1972 Cabaret
1972 Pink Flamingos
1972 The Discreet Charm of the Bourgeoisie
1972 The Bitter Tears of Petra von Kant
1972 X Y & Zee
1972 The Poseidon Adventure
1972 Whoever Slew Auntie Roo?
1972 Heat
1972 Loot
1973 Andy Warhol's Frankenstein
1973 The Last of Sheila
1974 Female Trouble
1974 The Night Porter
1974 Andy Warhol's Dracula
1974 Ali: Fear Eats the Soul
1975 Mahogany
1975 Fox and His Friends
1975 Grey Gardens
1975 A Boy and His Dog
1975 Salo
1975 The Naked Civil Servant
1976 The Ritz
1976 Carrie
1976 Sebastiane
1977 Outrageous!
1977 I, An Actress
1977 Nasty Habits
1977 That Obscure Object of Desire
1978 In a Year With 13 Moons
1979 La Cage Aux Folles
1979 Moonraker

The Eighties

1980 Xanadu
1980 Flash Gordon
1980 Can't Stop the Music
1981 Mommie Dearest
1981 Clash of the Titans
1981 Diva
1981 Lola
1982 Victor Victoria
1982 Veronika Voss
1982 Tootsie
1983 The Hunger
1983 The Dresser
1983 Yentl
1984 Dune
1984 The Adventures of Buckaroo Banzai Across the 8th Dimension
1984 Another Country
1984 Dark Habits
1985 Pee-Wee's Big Adventure
1985 Legend
1985 Kiss of the Spider Woman
1985 The Color Purple
1985 My Beautiful Laundrette
1986 Mala Noche
1986 Parting Glances
1986 Desert Hearts
1986 Matador
1986 Caravaggio
1986 Labyrinth
1987 Maurice
1987 The Princess Bride
1987 Bagdad Cafe
1987 Prick Up Your Ears
1987 I've Heard the Mermaids Singing
1987 The Witches of Eastwick
1987 Law of Desire
1988 Hairspray
1988 Heathers
1988 Women on the Verge of a Nervous Breakdown
1988 Superstar: The Karen Carpenter Story
1988 Big Business
1989 Looking for Langston
1989 Steel Magnolias
1989 Slaves of New York

The Nineties

1990 Without You I'm Nothing
1990 Postcards from the Edge
1990 Paris Is Burning
1990 Tie Me Up! Tie Me Down!
1991 Poison
1991 Thelma and Louise
1991 Young Soul Rebels
1991 High Heels
1991 My Own Private Idaho
1991 Thanksgiving Prayer
1991 Edward II
1991 Madonna: Truth Or Dare
1991 Salmonberries
1992 The Living End
1992 Medusa: Dare To Be Truthful
1992 Death Becomes Her
1992 The Crying Game
1992 Orlando
1992-2004 Absolutely Fabulous
1993 Wittgenstein
1993 Blue
1993 Kika
1994 Super 8 ½
1994 Wild Reeds
1994 The Adventures of Priscilla Queen of the Desert
1994 Hudsucker Proxy
1995 Welcome to the Dollhouse
1995 Safe
1995 The City of Lost Children
1995 Showgirls
1995 Clueless
1995 Carrington
1995 Cold Comfort Farm
1995 When Night Is Falling
1995 The Flower of My Secret
1995 To Die For
1996 Irma Vep
1996 Lilies
1996 Crash
1996 Bound
1996 I Shot Andy Warhol
1997 Boogie Nights
1997 Happy Together
1997 Bent
1997 The House of Yes
1997 Wilde
1998 Velvet Goldmine
1998 Torch Song Trilogy
1998 Gods and Monsters
1998 Welcome to Pleasantville
1999 All About My Mother
1999 South Park: Bigger, Longer, and Uncut
1999 Fight Club
1999 Beau Travail
1999 An Ideal Husband
1999 Skin Flick
1999 Mansfield Park
1999-2000 Strangers With Candy

The Naughts

2000 Bring It On
2000 Best in Show
2001 Hedwig and the Angry Inch
2001 Gosford Park
2001 Mulholland Drive
2001 Burnt Money
2001 The Royal Tenenbaums
2001 Pearl Harbor
2001 Wet Hot American Summer
2002 Gerry
2002 Talk to Her
2003 Angels in America
2003 Bright Young Things
2003 The Dreamers
2003 A Mighty Wind
2003 Elephant
2004 Bad Education
2004 Kinsey
2004 Mysterious Skin
2004 Raspberry Reich
2005 Brokeback Mountain
2006 The Devil Wears Prada
2006 Marie Antoinette
2006 Volver
2006 V for Vendetta
2006 Shortbus
2006 Le Marais
2007 Starbooty
2008 Milk
2008 Otto; or, Up With Dead People
2009 An Englishman in New York
2009- Glee
2010 Howl