dcarrico@sfai.edu
ndaleca@gmail.com
amormundi.blogspot.com
CURRENT POSITIONS
Senior Lecturer, Liberal Humanities, San Francisco Art Institute, from 2004 to the present.
Lecturer, Department of Rhetoric, University of California, Berkeley, from 2005 to the present.
EDUCATION
Ph.D., Department of Rhetoric, University of California, Berkeley, 2005
Dissertation: Pancryptics: Technocultural Transformations of the Subject of PrivacyM.A., Department of Philosophy, Georgia State University, 1995
Committee: Judith Butler, Chair (Rhetoric and Comparative Literature); Mark Poster (History, UC Irvine); Pamela Samuelson (School of Law and School of Information Management and Systems); Linda Williams (Rhetoric and Film Studies)
Thesis: Technology and Proliferating “Queer” BodiesB.A., cum laude. Department of English, Georgia State University, 1989
Committee: Timothy Renick, Chair; Linda Bell, Stephen Prothero
Many of the themes of the thesis were summarized and published as an article, Technology Is Making Queers of Us All, published by the magazine BetterHumans, January 5, 2004.
Indiana University, Department of Comparative Literature, 1983-1986
TEACHING FIELDS AND AREAS OF ACADEMIC INTEREST
Aesthetics and Politics
Art and Philosophy in Greek and Roman Antiquity
Critical Theory
Digital Media and Network Criticism
Gender Studies and Queer Theory
Environmental Justice
Rhetorical History, Theory and Argumentation
Peace and Reconciliation Studies
Science and Technology Studies
ONLINE PUBLICATIONS
A Neoliberalization of Basic Income Discourse? Power to Persuade: Creating and Implementing Public Policy, Cross-Sectoral Debates, September 14, 2015.
Artificial Intelligence As Alien Intelligence, boundary 2, March 25, 2015.
Geekdom Is Having a Diversifying Effect on Culture, New York Times, "Room for Debate" forum, When Geeks Rule, September 18, 2014.
Futurological Discourse and Posthuman Terrains, Existenz, Volume 8, No. 2, Fall 2013.
Review (originally titled, "Schlock and Awesome: Why Futurism Is Worse Than You Think") of the book Abundance: The Future Is Better Than You Think by Peter Diamandis and Steven Kotler (Free Press, 2012) published by the Foundation for Peer to Peer Alternatives, May 24, 2012.
Overview of "Geo-Engineering" As Futurological Greenwashing, on Worldchanging, August 10, 2010.
Superlative Futurology, Re-Public: Re-Imagining Democracy, June 2009.
Is Obama the Face of Ongoing p2p Democratization? Foundation for Peer to Peer Alternatives, March 16, 2009.
Selections from My Recurring Column of Anti-Futurological Critique, published by the World Future Society:
Ten Reasons to Take Seriously the Transhumanists, Singularitarians, Techno-Immortalists, Nano-Cornucopiasts and Other Assorted Robot Cultists, March 15, 2012.GRANTS, AWARDS AND HONORS
Futurological Brickbats (A Selection), March 22, 2012.
Ten Futurological Admonitions, March 29, 2012.
What Are People Really Talking About When They Talk About "Geo-Engineering"? April 14, 2012.
"Tomorrow Sex Will Be Good Again" May 5, 2012.
The Unbearable Stasis of Accelerating Change, May 27, 2012.
SpaceX Space Cadets Set Their Sights On Libertopian Mars, June 3, 2012.
How to Write Your Transhumanist Article (A Helpful Guide for More Profitable Prophesying) June 13, 2012.
The "Financial Singularity" Is Not About Mystery But About Fraud, June 17, 2012.
Singularitarian Hype and the Denial of History, June 17, 2012.
"Am I Going To Become A Cyborg In The Future?" July 7, 2012.
"I Tweet From Basement, Home of Mom": Time For A Cyberspace Manifesto 2.0? July 15, 2012.
Performance Artist and Sousveillance Activist Steve Mann Assaulted in Paris McDonalds, July 17, 2012.
Exxon-Mobil's "Geo-Engineering" Discourse Is Just More Futurological Greenwashing, July 23, 2012.
All Humans Are Mortal. Socrates Is Human. Therefore, Socrates Is Mortal, August 1, 2012.
Tributaries: Somebodies That Used Gotye To Know Themselves, August 15, 2012.
Futurological Defenses of Automation, Outsourcing, Crowdsourcing, and Precarizing Labor, August 29, 2012.
Techno-Immortalists Exploit Dying Women To Peddle Pseudo-Science and Threaten Critics, September 3, 2012.
A Comment on Artificial Imbecillence, October 7, 2012.
Dressing for The Future, October 17, 2012.
Is "Geo-Engineering" Really Just Gardening? November 19, 2012.
Insecurity Theatre: How Futurological Existential-Risk Discourse Deranges Serious Technodevelopmental Deliberation, November 28, 2012.
Paul Krugman Flirts With Futurism, January 2, 2013.
"Driverless Cars" As Dead-Ender Car Culture Apologia, January 7, 2013.
Private Space Follies, January 10, 2013.
Tim O'Reilly on: "The Golden Age,"January 24, 2013.
p2p is EITHER Pay to Peer OR it is Peers to Precarity, March 23, 2013.
"The Future" Is Always Somebody Else's Pain and Payment for Our Sins, April 3, 2013.
Why Does Tim Wu Side With the Technoblatherers?, April 14, 2013.
Farhad Manjoo's Camera Reassura, April 19, 2013.
Zuckerberg's Privation, April 27, 2013.
Peter Thiel Against Hollywood Against "The Future," May 15, 2013.
Googlenature, May 16, 2013.
How I Learned to Stop Worrying and Love the Tweet, June 1, 2013.
Transcending the Lawnmower Man, April 17, 2014.
What Is the Futurological?, November 29, 2014.
Eric Garner and the Cop Cam Sham, December 5, 2014.
Techbro Mythoppoetics, December 24, 2014.
The Inevitable Cruelty of Algorithmic Mediation, December 26, 2014.
Futurology's Shortsighted Foresight on AI, January 15, 2015.
The Yearning Annex: Google Commits Millions for Robot Cult Indoctrination in Plutocratic Venture-Capitalist Dystopia, January 28, 2015.
We Are The Killer Robots, February 4, 2015.
Artificial Intelligence As Alien Intelligence, February 25, 2015.
Tools for Techno-Transcendental Tricksters: The Turing Con and the Reductionist Shell Game, March 14, 2015.
#FuturologicalFollies, April 25, 2015.
Outstanding Instructor Award, Undergraduate Student Union (SFAI), 2019
Outstanding Faculty Award, Undergraduate Student Union (SFAI), 2016
LOGS Outstanding Graduate Faculty Award, Legion of Graduate Students, San Francisco Art Institute (SFAI), 2010
Departmental Research Award, UC Berkeley, 2006
Center for Cognitive Liberty and Ethics (CCLE), Summer Fellowship, 2004
Pedagogy Departmental Grant, UC Berkeley, 2004
Wollenberg Grant, 2003
Fletcher Jones Memorial Fellowship, 2000-2001
Outstanding Graduate Student Instructor Award, UC Berkeley, 1998-1999
University Block Grant, Department of Rhetoric, UC Berkeley, 1998
CONFERENCE PRESENTATIONS, PUBLIC TALKS, AND PANELS
"Futurological Discourse and Posthuman Terrains," American Philosophical Association Pacific Division Annual Meeting, San Francisco, March 27-31, 2013.
Panel Chair, "Thinking Outside the Frame: Avant-Garde Calligraphy, Relational Art, and New Cinema," Drawing, Interpreting, Synthesizing: Robert and Colleen Haas Scholars Tenth Annual Spring Research Conference, University of California at Berkeley, May 2, 2008
"The Sense and Significance of the Emerging Netroots: Digby, Benkler, Arendt in the Progressive Blogosphere," Roosevelt Institution, University of California at Berkeley, October 24, 2007
“Media Tactics for the New World Order: A Screening and Panel Discussion of the Film Loose Change,” San Francisco Art Institute, October 11, 2006
“Alone With My Thoughts: Private and Public Faces of Cognitive Self-Determination,” Human Enhancement Technologies and Human Rights, Stanford University, May 27, 2006
"Pay to Peer: Basic Income and the Emerging Peer-to-Peer Network Culture," The Fourth Congress of the U.S. Basic Income Guarantee Network: "The Right to Economic Security," New York, NY, March 5, 2005
“Setting the Scene: Creating Conditions in Which Students Teach Themselves to Read and Write Argumentatively,” Center for Individual Learning, San Francisco Art Institute, February, 2005
“Parables of Virtuality: ‘Burning Chrome’ and the Dark Night of Bodies,” Representations of the Virtual, University of California at Berkeley, February 17, 2005
“Teaching the Four Habits of Argumentative Writing,” Pedagogy Workshop, University of California at Berkeley, Department of Rhetoric, October 25, 2004
“Vulgar Biocentrism Among the Technophiles,” Art in the Posthuman Era, University of Toronto, August 6, 2004
“Doin’ What Comes Naturally: Margaret Somerville’s Bio-Conservative Deployment of the Precautionary Principle in Her Case against Gay Marriage,” New Feminist Perspectives on Biotechnology and Bioethics, University of California at Berkeley, March 12, 2004
“’Keep Your Laws Off My Body!’: Biotechnology and the Politics of Choice, from Reproductive to Morphological Freedom,” New Feminist Perspectives on Biotechnology and Bioethics,University of California at Berkeley, March, 11, 2004
“Problems in Teaching Rhetoric,” Department of Rhetoric Pedagogy Seminar, University of California at Berkeley, October 20, 2003
“Technocultural Singularity and the Shifting Terrain of Humanist Politics: Liberal Humanism, Transhumanism, Posthumanism.” Born of Desertion: Singularity, Collectivity, Revolution, Marxist Reading Group, University of Florida, March 21, 2003
“Abject Beasts: Impurity, Solidarity, and the Politics of Vegetarianism,” Subject, Object, Abject, University of California at Berkeley, February 28, 2003
“Animal Rites: Vegetarian Criticism, Vegetarian Selves,” Culture Is Ordinary, Bowling Green State University, April 18, 1997
“The New Market: Intellectual Property Rights and the Technology Debates,” Interface, Southern College of Technology, October 21, 1993
CONFERENCE ORGANIZING
Organizing Committee, Human Enhancement Technologies and Human Rights Conference, Stanford University, May 26-28, 2006
Chief Organizer, the 13th Annual, Boundaries in Question Conference -- Feminists Face the Future: New Feminist Perspectives on Biotechnology and Bioethics, University of California at Berkeley, March 11-13, 2004
Chief Organizer, the 12th Annual, Boundaries in Question Conference, University of California at Berkeley, February, 28-March 1, 2003
Co-Organizer, OutSouth: Queer Arts Festival, Asheville, North Carolina, September 24-27, 1992.
ACTIVITIES AND ACADEMIC SERVICE
NASAD Submission Committee for New San Francisco Art Institute (SFAI) Degree Program, "Art, Place, and Public Studies," 2018
Editor, SFAI (San Francisco Art Institute) Adjunct Faculty Newsletter, 2016-2019.
Research Team and Draft Committee for the Liberal Arts Program Assessment at the San Francisco Art Institute (SFAI) for the Western Association of Schools and Colleges (WASC), 2010-2011
Pedagogy Working Group, Department of Rhetoric, University of California at Berkeley, 2004-2005
Steward, Dept. of Rhetoric, UC Berkeley, Association of Graduate Student Employees, 1996-1998
TEACHING
Graduate Courses
CS 500 Introduction to Critical Theory (San Francisco Art Institute) Spring 2020
Trans Theories, Histories, Practices (SFAI, Independent Study) Spring 2020
HTCA 520 Designs On Us: The Politics and Anti-Politics of Design Discourse (SFAI) Fall 2018
CS 500 Introduction to Critical Theory (San Francisco Art Institute) Spring 2018
Un/Doing Subjects: Jewish, Queer, Crip (SFAI, Independent Study) Spring 2018
CS 520 Queer Manifestations (SFAI) Fall 2017
CS 500 Fact, Figure, Fetish (SFAI) Fall 2016
CS 500P Biopunk! Bioart and Bioethics (SFAI) Spring 2016
CS 500A Introduction to Critical Theory (SFAI) Spring 2015
CS 500 Designs on Us: Anti-Politics in Green, Media, & Medical Design Discourse (SFAI) Fall 2014
EMS 590 Thesis I: Independent Investigations (SFAI) Spring 2014
CS 500A Introduction to Critical Theory (SFAI) Spring 2014
EMS 590 Thesis I: Independent Investigations (SFAI) Fall 2013
EMS 590 Thesis I: Independent Investigations (SFAI) Spring 2013
CS 500 Fetish, Figure, Fact (SFAI) Spring 2013.
EMS 590 Thesis I: Independent Investigations (SFAI) Fall 2012
EMS 590 Thesis I: Independent Investigations (SFAI) Spring 2012
CS 500 What Now? Aesthetics and Politics Between Past and Future (SFAI) Spring 2012
EMS 590 Thesis I: Independent Investigations (SFAI) Fall 2011
EMS 590 Thesis I: Independent Investigations (SFAI) Spring, 2011
CS 500 Designs on Us: Anti-Politics in Green, Media, & Medical Design (SFAI) Spring 2011
EMS 590 Thesis I: Independent Investigations (SFAI) Fall 2010
EMS 590 Thesis I: Independent Investigations (SFAI) Spring 2010
EMS 590 Thesis I: Independent Investigations (SFAI) Fall 2009
CS 500 Design for Living: Artifice and Agency (SFAI) Spring 2009
EMS 590 Thesis I: Independent Investigations (SFAI) Spring 2009
EMS 590 Thesis I: Independent Investigations (SFAI) Fall 2008
EMS 590 Thesis I: Independent Investigations (SFAI) Spring 2008
Upper Division Undergraduate Courses
CS300A Critical Theory A, "The Point Is to Change It" (SFAI), Fall 2021
CS301 Critical Theory B: For Futurity: A Clash of Futurisms (SFAI) Summer 2020
HUMN 224 Patriarchy in Greek and Roman Antiquity (San Francisco Art Institute) Spring 2020
CS300B Critical Theory B, "Queer Manifestations"(SFAI) Fall 2019
CS300A Critical Theory A, "The Point Is to Change It" (SFAI) Fall 2019
CS300A Critical Theory A, "The Point Is to Change It" (SFAI) Spring 2019
CS300A Critical Theory A, "The Point Is to Change It" (SFAI) Fall 2018
CS300B Critical Theory B "Digital Democracy, Digital Anti-Democracy" (SFAI) Fall 2018
RHET 153 Green Rhetoric (UCB) Summer 2018
HUMN 237 Peace in Pieces: Nonviolence (SFAI) Fall 2017
RHET 166 Digital Anti-Democratization Under the Law (UCB) Summer 2017
RHET 153 Green Rhetoric (UCB) Summer 2017
CS301 Critical Theory B: For Futurity: A Clash of Futurisms (SFAI) Spring 2017
RHET 103A Patriarchal Conviction in Greece and Rome (UCB) Fall 2016
HUMN 300A Critical Theory A "The Point Is to Change It" (SFAI) Fall 2016.
HUMN 224 Are We Not Men? Patriarchy in Greek and Roman Antiquity (SFAI) Spring 2016
HUMN 300A Critical Theory A "The Point Is to Change It" (SFAI) Fall 2015
HUMN 207 Homo Economicus: Staging the Contradictions of Modern Political Economy in the English Comedy of Manners (SFAI) Fall 2015
RHET 103A Patriarchal Convention and Conviction in Classical Antiquity (UCB) Summer 2015
HUMN 300B Critical Theory B "Digital Democracy, Digital Anti-Democracy" (SFAI) Spring 2015
HUMN 300A Critical Theory A "The Point Is to Change It" (SFAI) Fall 2014
RHET 103A Patriarchal Convention and Conviction in Classical Antiquity (UCB) Summer 2014
HUMN 300B Critical Theory B Planetary Thinking and Environmental Justice (SFAI) Spring 2014
HUMN 300A Critical Theory A "The Point Is to Change It" (SFAI) Fall 2013
RHET 103A Patriarchal Convention and Conviction in Classical Antiquity (UCB) Summer 2013
HUMN 300A Critical Theory A "The Point Is to Change It" (SFAI) Spring 2013
HUMN 300B Critical Theory B p2p Democratization and Anti-Democratization (SFAI) Fall 2012
HUMN 300A Critical Theory A "The Point Is to Change It" (SFAI) Summer 2012
RHET 103A Rhetoric in Classical Antiquity (UCB) Summer 2012
HUMN 300B Critical Theory B "The Point Is to Change It" (SFAI) Spring 2012
HUMN 300A Critical Theory B "Technoscience and Environmental Justice" (SFAI) Fall 2011
RHET 121 The Rhetoric of Narrative Selfhood in the Graphic Novel (UCB) Summer 2011
HUMN 300A Critical Theory A "The Point Is to Change It" (SFAI) Summer 2011
HUMN 300B Critical Theory B "Democracy, Peer to Peer" (SFAI) Fall 2010
HUMN 300A Philosophy to Post-Philosophy, Humanism to Post-Humanism (SFAI) Summer 2010
RHET 171 Altars and Alters to the Market: Rhetoric in the Neoliberal Epoch (UCB) Spring 2010
RHET 105 Homo Economicus: Setting the Stage for Enterprising Modernities (UCB) Spring 2010
HUMN 300B Critical Theory B "Green Theories, Green Practices" Spring 2010
Rhetoric 181: Green Rhetoric (UC Berkeley), Fall 2009
HUMN 300A: Critical Theory A, "Theory After Philosophy, Humanity After Humanism" Fall 2009
HUMN 300A: Critical Theory A, "Crisis and Critique," Summer 2009
Rhetoric 199 (Independent Study): Obama's Rhetoric (UC Berkeley), Spring 2009
HUMN 300B: Critical Theory B, "Theory and Technoscience, Peer to Peer" Fall 2008
HUMN 300A: Critical Theory A, "Theory, Science, and the Human," Fall 2008
HUMN 300A: Critical Theory A, "Crisis and Critique," Summer 2008
RHET 103B Politics and Aesthetics (UC Berkeley), Spring, 2008
HUMN 300A Critical Theory A, “The Point Is to Change It” (SFAI), Spring, 2008
HUMN 300B Critical Theory B, “Nature and Criticism” (San Francisco Art Institute), Fall, 2007
HUMN 300A Critical Theory A, “Theory, Thing, Fetish” (San Francisco Art Institute), Fall, 2007
RHET 181 Green Rhetoric (UCB) Fall 2007
HUMN 300A Critical Theory A, “The Point Is to Change It” (SFAI), Summer 2007
RHET 189 Mediated Republic: From Broadcast to p2p [Peer-to-Peer] (UCB) Spring 2007
RHET 103B Politics and Aesthetics (UC Berkeley), Spring, 2007
HUMN 300A Critical Theory A “The Enterprise of Interpretation” (SFAI) Spring 2007
RHET 121A "Biopunk and the Bioethical Imaginary" (UCB) Fall 2006
RHET 132 "Design for Living: Artifice and Agency" (UCB) Fall 2006
HUMN 300B Critical Theory B, “Theory Faces Technoscience” (SFAI) Fall 2006
HUMN 300A Critical Theory A, “The Point Is to Change It” (SFAI) Fall 2006
HUMN 300A Critical Theory A, “Thinking What We Are Doing” (SFAI) Summer 2006
HUMN 300A Critical Theory A, “Objectification and Objection” (SFAI) Spring 2006
HUMN 300A Critical Theory A, “Critique, Subjection, Prostheses” (SFAI) Fall 2005
RHET 110 Varieties of Techno-Ethical Discourse: Bioethics/Neuroethics/Roboethics/Media Criticism (UCB) Summer 2005
RHET 199 (Independent Study) Arendt on the Given, the Forgiven and the Gift (UCB) Summer 2005
HUMN 300B: Critical Theory B, "Political Discourse of Digital Networks” (SFAI), Spring, 2005
RHET 110 Deliberation, Demonstration, Debate about Technological Change (UCB) Summer 2004
RHET 110 Close Reading as Argumentative Discourse (UCB) Summer 2002
Lower Division Undergraduate Courses
RHET 10 The Rhetoric of Argument, "What Is Compelling?" (UC Berkeley) Summer 2019
RHET 10 The Rhetoric of Argument, "What Is Compelling?" (UC Berkeley) Summer 2018
RHET 10 The Rhetoric of Argument, "What Is Compelling?" (UC Berkeley) Summer 2016
RHET 10 The Rhetoric of Argument, "What Is Compelling?" (UCB) Summer 2015
RHET 20 The Rhetoric of Interpretation, "Fact, Figure, Fetish" (UCB) Summer 2014
RHET 20 The Rhetoric of Interpretation, "Fact, Figure, Fetish" (UCB) Summer 2013
RHET 20 The Rhetoric of Interpretation, "Who Holds the Keys?" (UCB) Summer 2012
RHET 1B Argument Against Violence, Argument As Violence (UCB) Summer 2011
RHET 20 The Rhetoric of Interpretation, "Who Holds the Keys?" (UCB) Summer 2010
RHET 20 The Rhetoric of Interpretation, "Who Holds the Keys?" (UCB) Summer 2009
RHET 10 The Rhetoric of Argument, "What Is Compelling?" (UCB) Summer 2009
RHET 10 The Rhetoric of Argument, "What Is Compelling?" (UCB) Spring 2009
RHET 10 The Rhetoric of Argument, "What Is Compelling?" (UCB) Fall 2008
RHET 10 The Rhetoric of Argument, Conviction, Compulsion, Obligation (UCB) Summer 2008
RHET 10 The Rhetoric of Argument, "Persuasion, Violence, Nonviolence" (UCB) Summer 2007
RHET 20 The Rhetoric of Interpretation (UCB) Spring 2006
RHET 1A Ranting, Raving, Writing (UCB) Spring 2006
RHET 2 Public Speaking (UCB) Summer 2005
ENGL 100 Composition A, Ranting, Raving, Writing (SFAI) Spring 2005
RHET 2 Public Speaking (UCB) Summer 2004
RHET 1A Technology and Democracy (UC Berkeley) Summer 2003
K50, Ind. Study “Rhetoric of Liberal Citizenship” (NYU, Gallatin School) Fall 2002
RHET 1B Ranting and Raving (UCB) Fall 2001
RHET 10 An Introduction to Rhetoric and Argumentation (UCB) Summer, 2001
RHET 1A The Craft of Writing “The Presence of the Future” (UCB) Spring 2000
RHET 1B The Craft of Writing “The Violence in Everyday Life” (UCB) Fall 1999
RHET 10 Introduction to the Field of Rhetoric, with Jill Stauffer, Co-Instructor (UCB) Summer 1999
RHET 1B The Craft of Writing “Derangements of Desire” (UCB) Spring 1999
RHET 1B The Craft of Writing “The Subject of Pedagogy” (UCB) Spring 1998
RHET 1B The Craft of Writing “What We Talk About When We Talk About Love” (UCB) Fall 1997
MASTERS THESES DIRECTED
Taylor Shell -- Fragile, Contains Feelings -- Public Intimacies: The Stressed Body in Contemporary Performance Art 2020 (SFAI)
Henry Chambers -- Anonymous Activist Artist Collectives and Occupation of Space Through Remnants of A Performative Assembly 2020 (SFAI)
Giuliana Funkhouser -- Software for Vibrating Bodies: Scores in Sympathetic Translation, 2020 (SFAI)
Jordan Taylor Holms -- After Necessity: Codifications of Labor, Space, and Difference in Mierle Laderman Ukeles’s Maintenance Art, 2019 (SFAI)
Candace Cui -- Bridging the GAP: Audience Interaction in the Digital Age and the Google Art Project, 2012 (SFAI).
Ian Paul -- Border Politics, Border Poetics, 2011 (SFAI)
Bokyung Kim -- Presence in Present Tense: The Significant Moment in JoAnn Verburg, Carla Shapiro and Kimsooja, 2011 (SFAI)
Adam Prince, Dams, Discourse, and Development: Refiguring the Flows of Progress, 2010 (SFAI)
HONORS THESES DIRECTED
Jason Dang, "Just Laughs: Jon Stewart and Stephen Colbert as a Comedic Insurgency against Mass News Media," Spring 2009 (UCB)
Ian Ferguson, "Promoting the Progress: A Comedy," Spring 2009 (UCB)
Eugene Chow, "Peer to Peer: Ethnic Resistance By Way of Incongruity," Spring 2008 (UCB).
Nicolas Lauricella, "Godard on YouTube: Peer to Peer and True Montage," Spring 2008 (UCB)
Nicole Holly Gordon, "The Architecture of the Invisible: On Women, Workers, and Water in New Argentine Cinema," Spring 2008 (UCB)
Chad Lott, "Iron John Conner," Fall 2008 (UCB)
Bryn Esplin, "Reality, Tradition and Device: A Critique of Judgment in Reality Television," Fall 2007 (UCB).
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