CS 301AK-01 (3759) Critical Theory B: For Futurity:
A Clash of Futurisms
When/Where:
Tuesdays/Thursdays, 4.15-7pm. Online (ONL-CS3)
Summer
Session, 2020, June 9-July 30 at the San Francisco Art Institute
Course Blog: aclashoffuturisms.blogspot.com
Instructor: Dale Carrico dcarrico@sfai.edu; ndaleca@gmail.com
Course
Description: Futurity is a register of freedom, "The Future" another
prison-house built to confine it. Futurity is the openness in the present
arising out of the ineradicable diversity of calculating, contending, and
collaborative stakeholders who struggle to make and remake the shared world.
"The Future," to the contrary, brandishing the shackle of its
definite article, is always described from a parochial present and is always a
funhouse mirror reflecting a parochial present back to itself, amplifying its
desires and fears, confirming its prejudices, reassuring its Believers that the
Key to History is in their hands. This course will stage a contest of futures:
Italian Futurism, corporate-military think-tank futurologies, Afro-Futurists,
punks, crips, queers, and some competing versions of posthumanism for good measure.
Both ranting and raving will be involved. In the end, I will send you out on
stage yourselves... and Into! The! Future!
In this
class we will distinguish (while also pressuring these distinctions):
1).
Futurity: The quality of openness inhering in the diversity of stakeholders to
any political present.
2). The
Future: Sites of imaginative investment, a Destiny/Destination at which
"We" never arrive.
3).
Futurisms: imagined and intentional communities, subcultures, memberships, and
fandoms organized and sustained through identification with particular visions
or narratives of The Future.
4).
Futurology: A parochially profitable pseudo-scientific discipline confusing
marketing with understanding, and the quintessential justificatory discourse
for white-racist patriarchal extractive-industrial corporate-militarism (ie, global
financialized "neoliberal" capitalism).
Grade
Provisionally Based on the Following: Attendance/Participation, 15%; Reading Notebook (3 Quotes/3
Questions/3 works), 15%; Mid-term Precis (2-3pp.), 15%; In-Class Presentation, 15%; Final Symposium
Presentation, 15%; Final Paper, 25%. (This is a rough basis for your final grade,
which is also subject to contingencies, improvement, and so on.)
Schedule of Meetings (Subject to Change, Check Online Version for Updates)
June
Week One: Futurity
Readings:
Discussion,
Tuesday, June 9
Workshopping:
Syllabus
PRESENTATION(S):
Personal Introductions
Lecture,
Thursday, June 11
Week Two: Singularity
Readings:
Lecture,
June 16
Discussion,
Thursday, June 18
Workshopping:
Ethos, Pathos, Logos; Audience and Intentions.
PRESENTATION(S):
Week Three: Ecology
Readings:
Laurie
Anderson, “The Language of the Future” (performance)
Lecture,
Tuesday, June 23
Discussion,
Thursday, June 25
Workshopping:
The Toulmin Schema
PRESENTATION(S):
Week Four: Eugenics
Readings:
Amy
Goodman interviews Harriet Washington about her
book Medical Apartheid: Medical Experimentation on Black Americans from
Colonial Times to the Present
Octavia Butler, The Evening,
the Morning, and the Night (short story)
Lecture, Tuesday, June 30
July
Discussion, Thursday, July 2
Workshopping: Aims of
Argument: Interrogation – Convinction – Persuasion – Reconciliation
PRESENTATION(S):
Precis due by end of
scheduled class session.
Week Five: No
Future!
Readings/Screenings:
Alfonso Cuaron (dir.),
Children of Men (film)
Lee
Edelman, The
Future Is Kid Stuff
Lecture,
Tuesday, July 7
Discussion,
Thursday, July 9
Workshopping:
Critical Film Terms
PRESENTATION(S):
Week Six: The Italian Futurists
Readings:
Valentine
de Saint-Point, Manifesto of
Futurist Women
Valentine de Saint-Point, Futurist Manifesto of Lust
Luigi Russolo, The Art of Noises
Lecture,
Tuesday, July 14
Discussion,
Thursday, July 16
Workshopping:
Final Papers
PRESENTATION(S):
Week Seven: Afro-Futurists
“Africa
Is The Future”
Lanre
Bakare, Afrofuturism Takes Flight: From Sun Ra to Janelle Monae
Janelle
Monae: “Dirty Computer” (short “emotion picture”) and selected other videos
(linked on the blog).
Lecture,
Tuesday, July 21
Discussion,
Thursday, July 23
Workshopping:
PRESENTATION(S):
Week Eight: Symposium
Symposium,
Day One, Tuesday, July 28 (program will appear online)
Symposium,
Day Two, Thursday, July 30 (program online, followed by housekeeping, last
chance Presentations, and concluding remarks).
Final
Paper due by end of final scheduled class session.